# English FAL Grade 12 Paper 2 NSC June 2014 Question Paper

> Grade 12 English FAL Paper 2 question paper from the NSC June 2014, 37 pages. Read online or get the free PDF download, memo linked when available.

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- Updated: 2026-09-27
- Subject: English FAL
- Grade: Grade 12
- Language: English
- Document type: Question paper
- Year: 2014
- Exam period: NSC June
- Paper: 2
- Curriculum: CAPS
- Pages: 37

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English Fal · Grade 12 · NSC June · 2014 · English. Question paper, 37 pages. Read online or download the PDF.

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                     SENIOR CERTIFICATE EXAMINATION

                        ENGLISH SECOND LANGUAGE P2

                                  HIGHER GRADE

                                         2014

                                                                       MARKS: 80

                                                                   TIME: 2 hours

                       This question paper consists of 37 pages.

          3

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INSTRUCTIONS AND INFORMATION

1.        Carefully study the table on the next page to assist you to choose the
          questions you want to answer.

2.        The question paper counts 80 marks so you should select questions worth
          40 marks in each of the TWO sections you have chosen.

3.        Number your answers correctly according to the numbering system used in
          this question paper.

4.        Pay careful attention to language and spelling.

5.        Use your own words. Do not QUOTE unless asked to do so.

6.        Write neatly and clearly.

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TABLE OF CONTENTS

                                QUESTIONS                              MARKS         PAGE

SECTION A: POETRY

Answer TWO questions from this section.

QUESTION 1:          On his Blindness – John Milton                      20             4
QUESTION 2:          Death be not Proud – John Donne                     20             6
QUESTION 3:          Cheetah – Charles Eglington                         20             8
QUESTION 4:          The birth of Shaka – Mbuyiseni Oswald Mtshali       20            10

                                                 OR

SECTION B: NOVEL

Answer ONE question from this section.

QUESTION 5:          Animal Farm – George Orwell                         40            12
                                                  OR
QUESTION 6:          Lord of the Flies – William Golding                 40            15

                                                 OR

SECTION C: DRAMA

Answer ONE question from this section.

QUESTION 7:          Nothing but the Truth – John Kani                   40            20
                                                 OR
QUESTION 8:          Romeo and Juliet – William Shakespeare              40            24

                                                 OR

SECTION D: SHORT STORIES

Answer TWO questions from this section.

QUESTION 9:          The Sisters – Pauline Smith                         20            28
                                                  OR
QUESTION 10:         The Soft Voice of the Serpent – Nadine Gordimer     20            30
                                                  OR
QUESTION 11:         The Necklace – Guy de Maupassant                    20            32
                                                  OR
QUESTION 12:         The Coffee-cart Girl – Es'kia Mphahlele             20            35

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SECTION A: POETRY

Read all FOUR poems before you attempt to do any TWO.

QUESTION 1

Read the poem below and then answer the questions.

ON HIS BLINDNESS – John Milton

1         When I consider how my light is spent,
          Ere half my days, in this dark world and wide,
          And that one Talent which is death to hide,
          Lodged with me useless, though my soul more bent
5         To serve therewith my Maker, and present
          My true account, lest He returning chide,
          'Doth God exact day-labour, light denied?'
          I fondly ask. But Patience, to prevent
          That murmur, soon replies, 'God doth not need
10        Either man's work or his own gifts. Who best
          Bear his mild yoke, they serve him best. His state
          Is Kingly: thousands at his bidding speed
          And post o'er land and ocean without rest;
          They also serve who only stand and wait.'

1.1       Complete the following summary of the poem by choosing words from the list
          below. Write down only the words next to the question number (1.1.1–1.1.3).

                       lyrics;   poetry;   books;   serve;   question;   anger

          In this poem, the speaker describes his frustration at his increasing blindness
          because it prevents him from fulfilling his talent for writing (1.1.1) in order to
          (1.1.2) God.                                                                              (2)

1.2       The speaker fears punishment from God.

          1.2.1      Why does he think he may be punished? Answer in your own
                     words.                                                                         (1)

          1.2.2      What form of punishment does the poet mention in line 3?                       (1)

1.3       Refer to lines 4–5.

          '... though my soul more bent
          To serve therewith my Maker ...'

          1.3.1      Explain what is meant by the words '... my soul more bent'.                    (1)

          1.3.2      What does he wish to use his talent for? Use your own words.                   (1)

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1.4       Refer to line 7.

          'Doth God exact day-labour, light denied?'

          Rewrite the question given above in your own words.                                    (2)

1.5       Which virtue allows the poet to find an answer to his question in line 7?              (1)

1.6       Quote a word from lines 5–8 which shows that the poet complains in a
          respectful manner.                                                                     (1)

1.7       Refer to lines 9 and 10. Do you think that the poet is correct when he says
          that God does not need man's work or gifts?                                            (2)

1.8       Refer to the phrase 'mild yoke' in line 11.

          1.8.1      What does the phrase 'mild yoke' mean in the context of the poem?
                     Explain both words.                                                         (2)

          1.8.2      What does the phrase imply about God's attitude to man?                     (1)

1.9       Match the speaker's feelings in COLUMN A with the lines in COLUMN B.
          Write only the number of the question (1.9.1–1.9.3) and the matching letter
          (A–E).

                      COLUMN A                                    COLUMN B
          1.9.1 Frustration                             A lines 10 and 11

          1.9.2 Acceptance                              B lines 4–6

          1.9.3 Obedience                               C line 14
                                                                                      (3 x 1)    (3)

1.10      Do you think that the poet has a good reason to rebel against God's will? Give
          a reason for your answer.                                                              (2)
                                                                                                 [20]

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QUESTION 2

Read the poem carefully and then answer the questions that follow.

DEATH BE NOT PROUD – John Donne

1         Death be not proud, though some have calléd thee
          Mighty and dreadful, for thou art not so,
          For those, whom thou think'st thou dost overthrow,
          Die not, poor Death, nor yet canst thou kill me.
5         From rest and sleep, which but thy pictures be,
          Much pleasure, then from thee much more must flow,
          And soonest our best men with thee do go,
          Rest of their bones, and souls' delivery.
          Thou art slave to Fate, Chance, kings, and desperate men,
10        And dost with poison, war, and sickness dwell.
          And poppy or charms can make us sleep as well,
          And better than thy stroke; why swell'st thou then?
          One short sleep past, we wake eternally,
          And death shall be no more; Death, thou shalt die.

2.1       Complete the following summary of the poem by choosing the BEST option
          from the list below. Write down only the correct word(s) next to the question
          number (2.1.1–2.1.2).

                  failing;   short time;   pleasure;   phase; short sleep;   powerless

          In this poem Donne argues with Death, telling him that he is (2.1.1) … Death
          is only a (2.1.2) … which man can enjoy.                                                 (2)

2.2       Read the following statement:

          The poet does not fear Death.

          2.2.1         Indicate whether the above statement is TRUE or FALSE.                     (1)

          2.2.2         Quote the phrase of no more than SIX words from lines 1–4 that
                        BEST supports your answer.                                                 (1)

2.3       The poet compares Death to 'rest' and 'sleep' in line 5.
          State TWO SIMILARITIES between someone who is dead and someone who
          is asleep or resting.                                                                    (2)

2.4       Refer to lines 6–8.
          List the THREE advantages that man gains from Death that are mentioned in
          these lines.                                                                             (3)

2.5       Quote the line which proves that other powers are superior to Death.                     (1)

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2.6       According to the information in line 10, why does Death not deserve any
          respect? Answer in your own words.                                                     (1)

2.7       Refer to lines 10 to 12. The poet claims that man can achieve a death-like
          state that is similar to death.

          2.7.1      Quote no more than THREE words which say what man can use to
                     achieve this state.                                                         (1)

          2.7.2      Do you agree with the poet that this state is 'better' than death?
                     Explain your answer.                                                        (1)

2.8       Match the main idea in COLUMN A with the lines given in COLUMN B. Write
          only the number of the question (2.8.1–2.8.3) and the matching letter (A–E).

                     COLUMN A                                COLUMN B
          2.8.1 Death always has to answer to      A final couplet (lines 13–14)
                a master.
                                                   B quatrain 3 (lines 9–12)
          2.8.2 Death will cease to exist.
                                                   C quatrain 2 (lines 5–8)
          2.8.3 Death is a welcome Saviour.
                                                                                   (3 x 1)       (3)

2.9       Refer to line 14: 'Death, thou shalt die!'
          Explain the paradox (contradiction) in the statement above.                            (2)

2.10      Do you agree with the poet that Death has no power over people? Give a
          reason for your answer.                                                                (2)
                                                                                                 [20]

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QUESTION 3

Read the poem carefully, and then answer the questions that follow.

CHEETAH – Charles Eglington

1         Indolent and kitten-eyed,
          This is the bushveld's innocent
          The stealthy leopard parodied
          With grinning, gangling pup-content.

5         Slouching through the tawny grass
          Or loose-limbed lolling in the shade,
          Purring for the sun to pass
          And build a twilight barricade

          Around the arena where,
10        In scattered herds, his grazing prey
          Do not suspect in what wild fear
          They'll join with him in fatal play;

          Till hunger draws slack sinews tight
          And vibrant as a hunter's bow;
15        Then, like a fleck of mottled light,
          He slides across the still plateau.

          A tremor rakes the herds: they scent
          The pungent breeze of his advance;
          Heads rear and jerk in vigilant
20        Compliance with the game of chance

          In which, of thousands, only one
          Is centred in the cheetah's eye;
          They wheel and then stampede, for none
          Knows which it is that has to die.

25        His stealth and swiftness fling a noose
          And as his loping strides begin
          To blur with speed, he ropes the loose
          Buck on the red horizon in.

3.1       Complete the following summary of the poem by choosing words from the list
          below. Write down only the words next to the question number (3.1.1–3.1.2).

                      sleeping;   differently;    similarly;   inactive;   quietly

          The speaker describes how the cheetah operates (3.1.1) … by day and night.
          In daylight the cheetah is (3.1.2) … but at night it turns into a hunter.                     (2)

3.2       What is the cheetah compared to in stanza 1? Give both metaphors.                             (2)

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3.3       What does the word 'grinning' in line 4, suggest about the cheetah's mood?                  (1)

3.4       Quote a word from STANZA 2 which can be associated with each of the
          following words in stanza 1.

          3.4.1      indolent (stanza 1, line 1)

          3.4.2      gangling (stanza 1, line 5)                                                      (2)

3.5       Refer to lines 7 and 8.
          Explain how 'twilight' provides a 'barricade' for the cheetah. Answer in your
          own words.                                                                                  (2)

3.6       Refer to line 10.

          What does the pronoun 'his' indicate?                                                       (1)

3.7       Name the instinct that changes the cheetah into an animal to be feared.
          (stanza 4)                                                                                  (1)

3.8       Both 'vibrant' (line 14) and 'tremor' (line 17) reflect the idea of a shiver.

          The two words differ in meaning. Explain how their meanings show the
          difference between the reactions of the animals in the herd and the cheetah.                (2)

3.9       Refer to the simile used in lines 13 and 14.

          3.9.1      What are the tightening sinews compared to?                                      (1)

          3.9.2      Explain the similarity between the two things being compared.                    (2)

3.10      Refer to line 15.
          Explain why the words 'fleck' and 'mottled' are a good description of the
          cheetah.                                                                                    (1)

3.11      Refer to lines 25 to 28.

          Explain how the metaphor in this stanza creates the impression that the
          cheetah draws the buck in towards him rather than chasing after the buck.                   (1)

3.12      Do you think that it is fair that defenceless animals, like the herds in the poem,
          are hunted? Express your views.                                                             (2)
                                                                                                      [20]

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QUESTION 4

Read the poem carefully, and then answer the questions that follow.

THE BIRTH OF SHAKA – Mbuyiseni Oswald Mtshali

1         His baby cry
          was a cub
          tearing the neck
          of the lioness
5         because he was fatherless.

          The gods
          boiled his blood
          in a clay pot of passion
          to course in his veins.

10        His heart was shaped into an ox shield
          to foil every foe.

          Ancestors forged
          his muscles into
          thongs as tough
15        as wattle bark
          and nerves
          as sharp as
          syringa thorns.
          His eyes were lanterns
20        that shone from the dark valleys of Zululand
          to see white swallows
          coming across the sea.
          His cry to two assassin brothers:

          'Lo! you can kill me
25        but you'll never rule this land!'

4.1       Complete the following summary of the poem by choosing the BEST words
          from the list below. Write down only the words next to the question numbers
          (4.1.1–4.1.2).

          superficial; characteristics; weaknesses; superhuman; strengths; immortal

          The poem praises Shaka's (4.1.1) … and acknowledges that many people
          believed Shaka to be (4.1.2) …                                                      (2)

4.2       Refer to lines 1–4.

          4.2.1      What is Shaka compared to in lines 1 and 2?                              (1)

          4.2.2      What characteristic of Shaka is illustrated in the metaphor in the
                     first stanza?                                                            (1)
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4.3       Refer to line 5.
          How do you think the absence of a father influenced his development?                    (2)

4.4       Refer to lines 6–9.

          4.4.1       Why is it significant that the gods were present at Shaka's birth?          (2)

          4.4.2       What does it imply about Shaka's character that 'his blood was
                      boiled in a pot of passion?                                                 (1)

4.5       What do the words 'boiled' (line 7), 'shaped' (line 10) and 'forged' (line 12)
          suggest about the way in which Shaka was created?                                       (1)

4.6       Refer to lines 12–18.

          4.6.1       Name the figure of speech used twice in these lines.                        (1)

          4.6.2       Explain the image in lines 12–15.      Clearly state what is being
                      compared.                                                                   (2)

          4.6.3       What ability is implied by the words 'as sharp as syringa thorns'?          (1)

4.7       Refer to lines 19 to 22.

          4.7.1       What ability of Shaka's is described in this stanza?                        (1)

          4.7.2       What prophecy did Shaka make about the future?                              (2)

4.8       Choose the correct answer to complete the following sentence.

          The tone of the last two lines is one of …

         A        terror.
         B        defiance.
         C        disgust.
         D        spitefulness.                                                                   (1)

4.9       The poem deals with the birth of Shaka. Does the last stanza fit in with the
          ideas in the rest of the poem? Give a reason for your answer.                           (2)
                                                                                                  [20]

                                                                     TOTAL SECTION A:             40

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SECTION B: NOVEL

In this section answer the question on:

Animal Farm (QUESTION 5)

             OR

Lord of the Flies (QUESTION 6)

QUESTION 5: ANIMAL FARM – George Orwell

Read the extracts carefully, and then answer the questions that follow.

EXTRACT A

'Comrades, you have heard already about the strange dream that I had last               1
night. But I will come to the dream later. I have something else to say first. I
do not think, comrades, that I shall be with you for many months longer, and
before I die I feel it my duty to pass on to you such wisdom as I have
acquired. I have had a long life, I have had much time for thought as I lay             5
alone in my stall, and I think I may say that I understand the nature of life on
this earth as well as any animal now living. It is about this that I wish to speak
to you.
  'Now, comrades, what is the nature of this life of ours? Let us face it: our
lives are miserable, laborious, and short. We are born, we are given just so           10
much food as will keep the breath in our bodies, and those of us who are
capable of it are forced to work to the last atom of our strength; and the very
instant that our usefulness has come to an end we are slaughtered with
hideous cruelty. No animal in England knows the meaning of happiness or
leisure after he is a year old. No animal in England is free. The life of an           15
animal is misery and slavery: that is the plain truth.'
                                                                        [Chapter 1]

5.1       Where are these animals gathered? Name the building AND the name of the
          farm at this stage.                                                                      (2)

5.2       In ONE sentence describe what Major dreams about.                                        (2)

5.3       Describe who Major is. State TWO facts.                                                  (2)

5.4       What does Major hope to achieve by calling the animals Comrades?                         (1)

5.5       How does Major describe the quality of their lives? State THREE aspects in
          your own words.                                                                          (3)

5.6       Major uses a very effective metaphor in line 12 to express how hard the
          animals are expected to work. Explain the meaning of this metaphor.                      (2)

5.7       How will the animals benefit from being rid of Man? State TWO benefits.                  (2)

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EXTRACT B

… Then they saw what Clover had seen.                                                  1
  It was a pig walking on his hind legs.
  Yes, it was Squealer. A little awkwardly, as though not quite used to
supporting his considerable bulk in that position, but with perfect balance, he
was strolling across the yard. And a moment later, out from the door of the            5
farmhouse came a long file of pigs, all walking on their hind legs. Some did it
better than others, one or two were even a trifle unsteady and looked as
though they would have liked the support of a stick, but every one of them
made his way right round the yard successfully. And finally there was a
tremendous baying of dogs and a shrill crowing from the black cockerel, and           10
out came Napoleon himself, majestically upright, casting haughty glances
from side to side, and with his dogs gambolling round him.
  He carried a whip in his trotter.
  There was deadly silence. Amazed, terrified, huddling together, the animals
watched the long line of pigs march slowly round the yard. It was as though           15
the world had turned upside-down. Then there came a moment when the first
shock had worn off and when, in spite of everything – in spite of their terror of
the dogs, and of the habit, developed through long years, of never
complaining, never criticising, no matter what happened – they might have
uttered some word of protest. But just at that moment, as though at a signal,         20
all the sheep burst out into a tremendous bleating of –
  'Four legs good, two legs better! Four legs good, two legs better! Four legs
good, two legs better!
   It went on for five minutes without stopping. And by the time the sheep had
quieted down, the chance to utter any protest had passed, for the pigs had            25
marched back into the farmhouse.
  Benjamin felt a nose nuzzling at his shoulder. He looked round. It was
Clover. Her old eyes looked dimmer than ever. Without saying anything, she
tugged gently at his mane and led him round to the end of the big barn, where
the Seven Commandments were written. For a minute or two they stood                   30
gazing at the tarred wall with its white lettering.
  'My sight is failing,' she said finally. 'Even when I was young I could not
have read what was written there. But it appears to me that that wall looks
different. Are the Seven Commandments the same as they used to be,
Benjamin?'                                                                            35
   For once Benjamin consented to break his rule, and he read out to her
what was written on the wall. There was nothing there now except a single
commandment.

                                                                      [Chapter 10]

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5.8       Match each character in COLUMN A with the set of characteristics that best
          describes him/her in COLUMN B. Write down only the question number
          (5.8.1–5.8.5) and the letter (A–F).

                     COLUMN A                                  COLUMN B
          5.8.1 Clover                               A authoritarian, arrogant,
                                                       scheming and cruel
          5.8.2 Benjamin
                                                     B idealistic, innovative, committed
          5.8.3 Napoleon                               and intelligent

          5.8.4 Snowball                             C stubborn, bad-tempered,
                                                       cynical, uninvolved.
          5.8.5 Mr Jones
                                                     D careless, weak, violent and a
                                                       drunk

                                                     E motherly, caring, loyal, stout and
                                                       disillusioned

                                                     F hard-working, strong, soft-
                                                       hearted and unintelligent
                                                                                     (5 x 1)      (5)

5.9       Explain Squealer's role on the farm.                                                    (1)

5.10      Of whom are the animals reminded when they see pigs walking on their hind
          legs?                                                                                   (1)

5.11      What excuses do the pigs give for using the farmhouse? State TWO.                       (2)

5.12      State TWO functions that the dogs are expected to fulfil.                               (2)

5.13      Line 2 and line 13 stand on their own.

          Why does the author separate these lines?                                               (2)

5.14      Refer to line 13.

          5.14.1     What does the whip symbolise?                                                (1)

          5.14.2     Why is there a deadly silence in reaction to the sight of Napoleon
                     carrying the whip?                                                           (1)

5.15      Briefly explain what role the bleating of the sheep plays in the novel.                 (2)

5.16      How do the words the sheep bleat in line 22 differ from the words they bleated
          earlier?                                                                                (2)

5.17      What is the single commandment which has replaced the Seven
          Commandments?                                                                           (1)

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5.18      Explain why the single commandment is ironic in the context of the novel as a
          whole.                                                                               (2)

5.19      Do you sympathise with Clover when reading lines 28 to 37? Give a reason
          to support your answer.                                                              (2)

5.20      Why do you think the pigs become corrupt as soon as they become the
          leaders?                                                                             (2)
                                                                                               [40]

QUESTION 6: LORD OF THE FLIES – William Golding

Read the extracts carefully and then answer the questions that follow.

EXTRACT A

  'We got to let that burn out now. And that was our firewood.'                     1
  He licked his lips.
  'There ain't nothing we can do. We ought to be more careful. I'm scared –'
  Jack dragged his eyes away from the fire.
  'You're always scared. Yah – Fatty!'                                              5
  'I got the conch,' said Piggy bleakly. He turned to Ralph. 'I got the conch,
ain't I Ralph?'
  Unwillingly Ralph turned away from the splendid, awful sight.
  'What's that?'
  'The conch. I got a right to speak.'                                             10
  The twins giggled together.
  'We wanted smoke –'
  'Now look –'
  A pall stretched for miles away from the island. All the boys except Piggy
started to giggle; presently they were shrieking with laughter.                    15
  Piggy lost his temper.
  'I got the conch! Just you listen! The first thing we ought to have made was
shelters down there by the beach. It wasn't half cold down there in the night.
But the first time Ralph says 'fire' you goes howling and screaming up this
here mountain. Like a pack of kids!'                                               20
  By now they were listening to the tirade.
  'How can you expect to be rescued if you don't put first things first and act
proper?'
  He took off his glasses and made as if to put down the conch; but the
sudden motion towards it of most of the older boys changed his mind. He            25
tucked the shell under his arm, and crouched back on a rock.
  'Then when you get here you build a bonfire that isn't no use. Now you been
and set the whole island on fire. Won't we look funny if the whole island burns
up? Cooked fruit, that's what we'll have to eat, and roast pork. And that's
nothing to laugh at! You said Ralph was chief and you don't give him time to       30
think. Then when he says something you rush off, like, like –!'
  He paused for breath, and the fire growled at them.
  'And that's not all. Them kids. The little 'uns. Who took any notice of 'em?

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                                             SCE

Who knows how many we got?'
  Ralph took a sudden step forward.                                                    35
  'I told you to. I told you to get a list of names!'
  'How could I,' cried Piggy indignantly, 'all by myself? They waited for two
minutes then they fell in the sea; they went into the forest; they just scattered
everywhere. How was I to know which was which?'

                                                                       [Chapter 2]

6.1       Briefly explain how the boys landed on the island.                                       (1)

6.2       Answer the following questions about the fire mentioned in the extract.

          6.2.1      Where on the island does the fire occur?                                      (1)

          6.2.2      Why did the boys start the fire?                                              (1)

          6.2.3      According to Piggy, how will the fire impact on their survival? State
                     TWO points.                                                                   (2)

          6.2.4      Which more serious consequence of the fire is revealed later?                 (1)

6.3       Refer to the following statement:
          Piggy says that Ralph is chief and they do not give him time to think
          (line 30–31).

          Explain how all the boys may have been saved if Ralph's orders had been
          followed. State TWO facts.                                                               (2)

6.4       Describe Jack's attitude towards Piggy in this extract.                                  (1)

6.5       Answer the following questions about the conch.

          6.5.1      What is the conch?                                                            (1)

          6.5.2      What does the conch symbolise in the novel?                                   (1)

6.6       Democracy versus Dictatorship is one of the main themes of the novel.

          6.6.1      Give an example from the passage that proves that Piggy believes
                     in democracy.                                                                 (1)

          6.6.2      Give an example, from later in the novel, that shows that Jack acts
                     like a dictator.                                                              (1)

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                                              SCE

EXTRACT B

   The officer leaned down and looked closely at Ralph.                                 1
   'Two? Killed?'
   Ralph nodded again. Behind him, the whole island was shuddering with
flame. The officer knew, as a rule, when people were telling the truth. He
whistled softly.                                                                        5
   Other boys were appearing now, tiny tots some of them, brown, with the
distended bellies of small savages. One of them came close to the officer and
looked up.
   'I'm, I'm –'
   But there was no more to come. Percival Wemys Madison sought in his                 10
head for an incantation that had faded clean away.
   The officer turned back to Ralph.
   'We'll take you off. How many of you are there?'
   Ralph shook his head. The officer looked past him to the group of painted
boys.                                                                                  15
   'Who's boss here?'
   'I am,' said Ralph loudly.
   A little boy who wore the remains of an extraordinary black cap on his red
hair and who carried the remains of a pair of spectacles at his waist, started
forward, then changed his mind and stood still.                                        20
   'We saw your smoke. And you don't know how many of you there are?'
   'No, sir.'
   'I should have thought,' said the officer as he visualized the search before
him, 'I should have thought that a pack of British boys – you're all British aren't
you? – would have been able to put up a better show than that – I mean –'              25
   'It was like that at first,' said Ralph 'before things –'
   He stopped.
   'We were together then –'
   The officer nodded helpfully.
   'I know. Jolly good show. Like the Coral Island.'                                   30
   Ralph looked at him dumbly. For a moment he had a fleeting picture of the
strange glamour that had once invested the beaches. But the island was
scorched up like dead wood – Simon was dead – and Jack had … The tears
began to flow and sobs shook him. He gave himself up to them now for the
first time on the island; great, shuddering spasms of grief that seemed to             35
wrench his whole body. His voice rose under the black smoke before the
burning wreckage of the island; and infected by that emotion, the other little
boys began to shake and sob too. And in the middle of them, with filthy body,
matted hair, and unwiped nose, Ralph wept for the end of innocence, the
darkness of man's heart, and the fall through the air of the true, wise friend         40
called Piggy.

                                                                       [Chapter 12]

6.7       When the officer arrives, he thinks that Ralph is part of a game. What is
          actually happening to Ralph at this moment?                                              (1)

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                                             SCE

6.8       The officer's uniform and revolver remind us of the situation in the outside
          world.

          6.8.1      What is happening in the 'outside world'?                                    (1)

          6.8.2      The officer's 'rescuing' the boys is IRONIC. Explain why.                    (2)

6.9       Refer to line 2.

          6.9.1      Name TWO boys that have been killed.                                         (2)

          6.9.2      Describe the circumstances in which the boys died. State TWO
                     facts in each case.                                                          (4)

6.10      Give TWO possible reasons why the boys are referred to as 'brown'.                      (2)

6.11      In line 7 the boys are described as 'small savages'. In the context of the novel,
          why is it fitting to refer to the boys as 'small savages'? Give TWO reasons.            (2)

6.12      Refer to lines 9–11.

          6.12.1     What 'incantation' did Percival recite at the beginning of the novel?        (1)

          6.12.2     Give a reason why Percival cannot remember this 'incantation'
                     now.                                                                         (1)

6.13      Now that the officer is here, why do you think Jack does not argue when
          Ralph says that he is the boss?                                                         (2)

6.14      What do Piggy's spectacles (line 19) symbolise in the novel?                            (2)

6.15      The words 'the darkness of man's heart' in line 41 reflect the main theme of
          the novel. Is this true of modern society? Explain your view.                           (2)

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                                          SCE

6.16      Match each character in COLUMN A with the set of characteristics that best
          describes him/her in COLUMN B.        Write only the question number
          (6.16.1–6.16.5) and the letter (A–F).

                     COLUMN A                              COLUMN B
          6.16.1 Ralph                           A bossy, tyrannical, arrogant,
                                                   savage, cruel and without pity
          6.16.2 Jack
                                                 B sly, quiet, sinister, evil and
          6.16.3 Roger                             under-hand

          6.16.4 Simon                           C rational, intelligent but
                                                   physically weak and unfit
          6.16.5 Piggy
                                                 D small, timid, obedient,
                                                   unquestioning and playful

                                                 E democratic, practical, likes
                                                   order, responsible, positive

                                                  F sensitive, kind, compassionate,
                                                    courageous and mystical
                                                                              (5 x 1)         (5)
                                                                                              [40]

                                                                TOTAL SECTION B:              40

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                                            SCE

SECTION C: DRAMA
In this section answer the question on:
Nothing but the Truth (QUESTION 7)
          OR
Romeo and Juliet (QUESTION 8)
QUESTION 7: NOTHING BUT THE TRUTH – John Kani
Read the extracts carefully, and then answer the questions that follow.
EXTRACT A

MANDISA: What did my father do to you? What happened between the two               1
of you?
SIPHO: He never told you?
MANDISA: No! This is crap. I can't stay here any longer. I am going out to
dinner. Even if I have to go alone.                                                5
Both women start to exit.
SIPHO: Stop! No one leaves this house. You want to know the truth? You
want to know why I fought your father? You want to know why your mother
left me? Left an eighteen-month-old baby in my hands and walked away and
never came back?                                                                   10
THANDO and MANDISA: Yes!
SIPHO: Themba was sleeping with my wife.
MANDISA: What!
SIPHO: Your father was sleeping with my wife, your mother!
THANDO: No! No!                                                                    15
MANDISA: This has gone too far! It's not true, it's not true! I don't believe
you! My father would never do such a thing. He was loyal to mother –
always.
SIPHO: That's what you think. Themba was good at making people believe
in him.                                                                            20
THANDO: Oh my God!
MANDISA [sobbing openly]: No, no. Not my father.
SIPHO: The truth, the whole truth and Nothing but the Truth, so help me
God. That's what you've asked for. So sit down and take it like the adults you     25
both claim to be.
                                                              [Act 2, Scene 1]

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                                                   SCE

7.1       Do you think it was a wise decision to keep the truth about the relationship
          between Themba and his wife from Thando until now? Give a reason for your
          answer.                                                                                     (2)
7.2       Explain how Mandisa's words in lines 4 and 5 reveal her background. Link her
          reaction in the passage to the way in which she was brought up.                             (2)
7.3       To whom does Sipho address the words below?
          7.3.1      'Your father ...' (line 14)                                                      (1)
          7.3.2      '... your mother.' (line 14)                                                     (1)
7.4       Refer to Sipho's words in line 7: 'Stop! No one leaves this house.'
          What do Sipho's words reveal about his beliefs and culture? State TWO facts.                (2)
7.5       Indicate what tone of voice would be used in the following lines:
          7.5.1      'What!' (line 13)                                                                (1)
          7.5.2      'No! No!' (line 15)                                                              (1)
7.6       Why does Mandisa find it difficult to believe that her father would betray
          Sipho?                                                                                      (1)
7.7       Explain how Sipho's words in lines 24 and 25 show a similarity between what
          happens in the play and what happens in the Truth and Reconciliation
          Commission hearings. Give ONE example of a similarity.                                      (2)
7.8       Match each character in COLUMN A with the set of characteristics that best
          describes him/her in COLUMN B. Write down only the question number
          (7.8.1–7.8.4) and the matching letter (A–F)

                        COLUMN A                                   COLUMN B
          7.8.1 Sipho                                    A fashionable, arrogant,
                                                           outspoken, cold, bitter and
          7.8.2 Thando                                     unforgiving
          7.8.3 Mandisa                                  B subservient, dull, timid, very
          7.8.4 Themba                                     conservative and uninspired
                                                         C practical, socially conscious,
                                                           respectful, loving, intelligent and
                                                           forgiving
                                                         D image-conscious, smart,
                                                           ambitious, independent and
                                                           modern
                                                         E solid and reliable, hard-working,
                                                           a bit dull, traditionalist and
                                                           disillusioned
                                                         F selfish, well-spoken, arrogant
                                                           insensitive, calculating and spoilt
                                                                                       (4 x 1)        (4)
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                                             SCE

EXTRACT B

SIPHO: So, you win again Themba. I am still dull. Nothing good is for me. I             1
am still at the library and I am not even the Chief Librarian and will never be.
If this country was free, I used to say, I would be the Chief Librarian.
I watched the release of Nelson Mandela on TV and I said to myself
'my time has come'. I was 57 years old when I voted on 27 April 1994. I put             5
them in power. I made Nelson Mandela the first democratically elected
president of this country. I was 62 years old when I voted again in 1999.
Nobody said I was too old. How come I am not old to put them in power but
then suddenly I am too old to be empowered? This Government owes me. I
have been loyal to them. Why could they not make me the Chief Librarian                10
just for two years? Two years only. That's not too much to ask. Is it? I was
part of the Struggle. I too suffered as a black person. I went to the marches
like everyone else. I might not have been detained. I might not have been
on Robben Island. I did not leave this country, but I suffered too. The
thousands that attended those funerals on Saturdays, that was me. The                  15
thousands that were tear gassed, sjamboked by the police, mauled by
Alsatian dogs, that was me. When Bishop Tutu led thousands through the
streets of white Port Elizabeth, that was me. I WAS THOSE THOUSANDS! I
too deserved some recognition, didn't I? No! No more! It's payback time.
The taking stops right here and now. I want everything back, Themba. I                 20
want my wire double decker bus now. I want it back. It was mine. Mom and
Dad are not here now to speak for you. I want my blazer back. It was mine. I
want my wife back. She was mine. She loved me, not you. Do you hear me?
I want my daughter back. She is mine. She's my baby, not yours. She is the
one thing you cannot take away from me. Not even now. Thando is mine.                  25

                                                                  [Act 2, Scene 1]

7.9       Refer to Sipho's words in line 5: 'my time has come.'

          Explain what Sipho expected to happen.                                                    (1)

7.10      Refer to lines 12–17.

          7.10.1     Which character in the play represents the 'thousands' who stayed
                     at home?                                                                       (1)

          7.10.2     Which character represents the heroes who went into exile?                     (1)

          7.10.3     Name the theme which is illustrated in these lines. (lines 12–17)              (2)

          7.10.4     If you were the director of the play, what would you tell Sipho to do
                     when saying these words? State his GESTURES and FACIAL
                     EXPRESSION.                                                                    (2)

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                                             SCE

7.11      Refer to the following statement:
          The boys' parents favoured Themba over Sipho.

          7.11.1     Describe TWO incidents from their childhood to illustrate this
                     statement.                                                                 (2)

          7.11.2     Quote a sentence from the passage to prove the statement true.             (2)

7.12      In line 20 Sipho says, 'The taking stops right here and now.'

          State TWO opportunities that were taken from Sipho after he left school but
          before he was married.                                                                (2)

7.13      Is the following statement TRUE or FALSE?
          Give a reason for your answer.

          Thando is the only child that Sipho feels he has lost.                                (2)

7.14      Why is Sipho unwilling to allow Thando to accompany Mandisa to
          Johannesburg and London?                                                              (2)

7.15      Explain why Sipho finds it necessary to stress that Thando is his baby in lines
          24 to 25.                                                                             (2)

7.16      How would you describe Sipho's emotions in this passage? State any TWO
          emotions.                                                                             (2)

7.17      If you had lived in the Apartheid era would you have chosen to go into exile or
          would you have stayed in South Africa? Motivate your answer.                          (2)
                                                                                                [40]

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                                             SCE

QUESTION 8: ROMEO AND JULIET – William Shakespeare
Read the extracts carefully, and then answer the questions that follow.
EXTRACT A

ROMEO (to Servingman)                                                                   1
  What lady's that which doth enrich the hand
  Of yonder knight?
SERVINGMAN
  I know not, sir.                                                                      5
ROMEO
 O, she doth teach the torches to burn bright!
  It seems she hangs upon the cheek of night
  As a rich jewel in an Ethiop's ear –
  Beauty too rich for use, for earth too dear!                                         10
  So shows a snowy dove trooping with crows
  As yonder lady o'er her fellows shows.
  The measure done, I'll watch her place of stand
  And, touching hers, make blessèd my rude hand.
  Did my heart love till now? Forswear it, sight!                                      15
  For I ne'er saw true beauty till this night.
TYBALT
  This, by his voice, should be a Montague.
  Fetch me my rapier, boy. What, dares the slave
  Come hither, covered with an antic face,                                             20
  To fleer and scorn at our solemnity?
  Now, by the stock and honour of my kin,
  To strike him dead I hold it not a sin.
CAPULET
  Why, how now, kinsman? Wherefore storm you so?                                       25
TYBALT
  Uncle, this is a Montague, our foe.
  A villain, that is hither come in spite
  To scorn at our solemnity this night.
CAPULET                                                                                30
  Young Romeo is it?
TYBALT
  'Tis he, that villain Romeo.
CAPULET
  Content thee, gentle coz, let him alone.                                             35
  'A bears him like a portly gentleman.
  And, to say truth, Verona brags of him
  To be a virtuous and well-governed youth.
  I would not for the wealth of all this town
  Here in my house do him disparagement.                                               40
  Therefore be patient; take no note of him.
                                                                    [Act 1,Scene 5]

8.1       In the context of the story, who is likely to be Juliet's partner at her father's
          ball? Motivate your answer.                                                              (2)

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