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NATIONAL
SENIOR CERTIFICATE
GRADE 12
SEPTEMBER 2014
ENGLISH HOME LANGUAGE P2
MEMORANDUM
MARKS: 80
This memorandum consists of 23 pages.
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English Hl Grade 12 Paper 2 Eastern Cape Mock 2014 Memo
Grade 12 English Hl Paper 2 memorandum from the Eastern Cape Mock Exam 2014, 25 pages. Read online or get the free PDF download, question paper linked when available.
English Hl · Grade 12 · Eastern Cape Mock Exam · 2014. Memorandum, 25 pages. Read online or download the PDF.
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2 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
NOTE TO MARKERS
This marking memorandum is intended as a guide for markers.
Candidates’ responses must be considered on their merits.
MARKING GUIDELINES
1. Wherever a candidate has answered more than the required number of
questions, mark only the first answer/response. (The candidate may not
answer the essay and the contextual question on the same genre.)
2. If a candidate has answered all four questions in SECTION A, (seen
poems), mark only the first two.
3. If a candidate has answered two contextual or two essay questions in
SECTIONS B and C, mark the first one and ignore the second. If a
candidate has answered all four questions, mark only the first answer in
each SECTION, provided that one contextual and one essay have been
answered.
4. If a candidate gives two answers where the first one is wrong and the next
one is correct, mark the first answer and ignore the next.
5. If answers are incorrectly numbered, mark according to the memo.
6. If a spelling error affects the meaning, mark incorrect. If it does not affect
the meaning, mark correct.
7. Essay questions
If the essay is shorter than the required word count, do not penalise
because the candidate has already penalised him/herself. If the essay is
too long, assess on merit and discuss with senior markers. Use the
assessment rubrics in Appendix A and B to assess candidates'
essays.
8. Contextual questions
If the candidate does not use inverted commas when asked to quote, do
not penalise.
9. For open-ended questions, no marks should be awarded for YES/NO or
I AGREE/I DISAGREE. The reason/substantiation/motivation is what
should be considered.
10. No marks should be awarded for TRUE/FALSE or FACT/OPINION. The
reason/ substantiation/motivation is what should be considered.
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 3
SECTION A: POETRY
QUESTION 1: SEEN (PRESCRIBED) POETRY – ESSAY QUESTION
Use the following, among others, as a guide to marking this question.
Responses might differ, depending on the candidate’s sensitivity to and
understanding of the poem, and the poet’s intention.
Refer to the rubric at the end of the paper to assess this question.
With close reference to the rhyme scheme, diction and metaphorical language, discuss
how the poet creates the poem’s mood.
Your essay must be 250–300 words (about ONE page) in length.
Mood – The mood of the poem is one of calmness, contentment and
certainty.
Rhyme scheme – The poem shows a clear rhyme scheme (abacb, dedcd,
fgfhg, ijihj) throughout. This underlines the speaker’s quiet certainty that
Nature remains the same and always provides. The rhyme scheme further
separates the stanzas, thus containing the imagery in each. The regularity
of the rhyme scheme reinforces the idea that Nature has a course, and man
can rely on its cycles.
Diction – ‘I love ...’ (stanza 1) – the poet is quite sure of himself. Although
he refers to winter in line 3, he calls it ‘the paragon’. He has no doubt that
this is the best time of the year, which adds to the mood of quiet certainty. It
is a natural result of the seasons’ changing, and is therefore reassuring,
calming. ‘kills’, ‘pure’ and ‘will’ (stanza 1); ‘Already’ and ‘harness’ (stanza 2)
– all suggests that certain events will occur; ‘summer lingers’ (stanza 3)
‘Moon’ and ‘noon’ (stanza 2) refer to specific times – these all add to the
reassuring tone.
Metaphorical language – Stanza 1: The word ‘anatomy’ (stanza 1) is
unusual, but cleverly indicates the bareness of the trees.
Stanza 2: The image of the geese’s flying formation being ‘harnessed to the
moon’ (line 7) suggests a regular pattern, which subtly underlines the mood.
Stanza 3: The image of full (‘brim’) vats that allow summer to ‘linger’ in
colours of ‘gold’ and ‘red’ vividly add to the feeling of contentment after hard
work (‘toil’).
Stanza 4: The idea that a fire is ‘reviving’ (line 16), and that ‘the grape will
redden’ with the colours of a rare gemstone (‘ruby’), are images associated
with richness and contentment, especially when it is enjoyed from a
‘crystal ... cup’ (line 20). It is not difficult to imagine the peaceful scene
indicated in this stanza.
NOTE: Learners will have to identify the mood in order to answer the
question. [10]
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4 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
QUESTION 2: SEEN (PRESCRIBED) POETRY – CONTEXTUAL QUESTION
2.1 Give a possible explanation for the speaker’s ‘sweet’ (line 1) thoughts.
He remembers things that are pleasant; make him happy. (1)
2.2 Account for the slower pace in line 4.
The speaker is reminded again (‘new wail’) of sad thoughts, and a slower
pace emphasises this. (2)
2.3 Why is death’s night ‘dateless’ (line 6)?
No time (‘date’) exists in death, because time is irrelevant in death. (2)
2.4 In lines 7–12 there is reference to bookkeeping as a metaphor for
remembering. Explain what the poet compares and quote in support of
your answer.
He compares a list of sad things as ‘cancelled’ woe, because he had
already mourned them. But when he is reminded of them, the sad
‘account’ has to be paid ‘as if not paid before’; these memories make him
sad again. (3)
2.5 The poem ends on a positive note. Explain how the rhyming end couplet
emphasises this.
The single syllables of ‘friend’ and ‘end’ sound the same, and have
positive connotative meanings in terms of the poem. (2)
[10]
QUESTION 3: SEEN (PRESCRIBED) POETRY – CONTEXTUAL QUESTION
3.1 3.1.1 Refer to stanza 1. The speaker clearly states what he thinks of
sport in the first line. Explain in your own words what his
attitude is towards sportsmen, and quote from the rest of the
stanza in support of your answer.
He ridicules sport when he refers to ‘fat knees’, baldness and
the outmoded outfits (‘Edwardian’) – these terms he uses to
describe the participants show he does not admire sport. (2)
3.1.2 The speaker uses repetition to distance himself from the men
in the first stanza. Discuss.
He repeats ‘those’ when he talks about them – the 3rd person
creates the distance; it is a linguistic finger he points at them. (2)
3.2 From what you know about the rest of the poem, explain why the men
would want to do something to honour their ‘Virility’ (line 12).
They are old, balding and fat-kneed men – no longer young and ‘virile’.
Their masculinity is diminishing, but that truth is too awful, so they
pretend what they are doing is honourable. (2)
3.3 In line 15 the men are ‘groping’ and ‘blind’. What does this suggest
about their attempts to regain ‘noble youth’ (line 16)?
They are only trying to get hold of something, but it seems to be out of
reach (‘groping’); they cannot ‘see’ it, and can only guess that it is there. (2)
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 5
3.4 A Spartan (line 18) life is one without luxury. Why would the men want
the ‘freedom’ of such a life?
Their adult lives are complicated by responsibilities, e.g. families and
professions, so the simplicity of the Spartan, mostly male, life appears
attractive. (2)
[10]
QUESTION 4: SEEN (PRESCRIBED) POETRY – CONTEXTUAL QUESTION
4.1 Provide a possible explanation for the inclusion of ‘ants’ to indicate activity
in stanza 1.
Ants are traditionally associated with hard work. (1)
4.2 Explain how the poet uses the structure of the poem to indicate the
passage of time.
The first three stanzas describe a different time of day, e.g. ‘morning’,
‘midday’, ‘afternoon’.
So each stanza represents a different time of the day. (2)
4.3 Identify and comment on the appropriateness of the sound devices in
stanza 2. Quote in support of your answer.
Onomatopoeia.
Effective, because words like ‘sizzling’ and ‘shrilling’ add to the realism of
the meaning. (3)
4.4 Apart from the heat, which quality of an oven (line 13) does the poet want
to highlight?
The fact that an oven is closed. In the same way the heat traps a person
– there is no escape. (1)
4.5 How is the image of coolness achieved in the last stanza?
By alliteration.
The repetition of the ‘l’ sound suggests liquid, water./’Bubbling’ also
suggests water, coolness.
Imagery.
The ‘silk heads’ suggest smoothness, and coolness.
(Any 1) (2)
4.6 Explain what the poet implies about men in Africa (line 26).
Men, humans, do not belong in Africa. The heat is too much; they cannot
cope. (1)
[10]
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6 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
QUESTION 5: UNSEEN POETRY – CONTEXTUAL QUESTION
5.1 Explain the metaphor in the title.
Reading and understanding poetry is compared to eating it. (2)
5.2 5.2.1 Refer to stanzas 1and 2. What has happened to the speaker?
Quote in support of your answer.
He has been reading poetry and it makes him very happy. (1)
‘no happiness like mine’ (1) (2)
5.2.2 In terms of the extended metaphor, what happened to the
poems that they ‘are gone’ in line 7?
They have been ‘eaten’ i.e. read by the speaker. (1)
5.3 Account for the change in the librarian’s behaviour.
At first she notices that the speaker is reading the poems, and ‘walks
with her hands in her dress’. Later, however, she has lost control over
her domain, the library, and she ‘screams’. She no longer controls the
knowledge – the speaker has taken (‘eaten’) it.
(Candidate must prove change. Open ended answer. Award marks for
any relevant answer.) (2)
5.4 The first and last stanzas support the same idea. Explain.
The speaker is happy – ‘no happiness like mine’ and ‘romp with joy’. He
is deeply affected by the beauty/understanding of poetry. (2)
5.5 Identify the tone of the poem.
Joyful/exuberant/liberating.
(NOTE: Candidates must show that the speaker is extremely happy.) (1)
[10]
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 7
SECTION B: NOVEL
QUESTION 6: ANIMAL FARM – ESSAY QUESTION
Use the following, among others, as a guide to marking this question.
Responses might differ, depending on the candidate’s sensitivity to
and understanding of the novel, and the writer’s intention.
Refer to the rubric at the end of the paper to assess this question.
The windmill is more a symbol of empty promises than a better life for all.
Write a carefully planned essay of 400–450 words (2–2½ pages) in length, in
which you assess to what extent the quotation is true or not.
Not at first. Snowball’s vision of a farm that is run to the advantage of the
workers and as a profitable business has merit. He advocated the
windmill as a way of improving the animals’ miserable lives and probably
also to prove that animals can farm effectively.
The animals’ enthusiasm for Snowball’s/Napoleon’s windmill alleviates
the exhaustion of the hard labour necessary to erect the building. They
are willing to work harder than usual, because the reward will be an
easier life. Even if the actual workings of the windmill are beyond them,
their faith is in their leaders.
In practice, the windmill is associated with the strife between the two
leaders, Napoleon and Snowball. They are at odds about building the
windmill, and as soon as Snowball is chased off the farm, Napoleon takes
ownership of the decision to build the windmill. When the half-built
structure is destroyed by severe winds, Napoleon maliciously puts the
blame on Snowball. Now the purpose of the windmill seems to be
political more than humanitarian.
The rebuilding of the windmill requires much more effort; almost
unbearable. Napoleon and his cohorts are ruling Animal Farm with an
iron fist. The animals do not have enough to eat; they work excessively
long hours. Although they have lost their enthusiasm for the windmill, they
continue. But the windmill is no longer the symbol of a liberated
existence. It is the symbol of toil and hard labour with no end in sight.
They are increasingly spellbound by Squealer’s seductive propaganda,
and have lost the desire or inclination to challenge the pigs. Whether
they have a windmill or not is no longer relevant. They are in the grips of
the pigs’ tyranny, and no number of windmills will end or change that.
Finally, the windmill is an empty promise, because it does not improve the
animals’ lives; in fact, it makes their lives miserable, causing the ever
faithful Boxer’s death. The ideals associated with the windmill are long
gone and forgotten. [25]
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8 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
QUESTION 7: ANIMAL FARM – CONTEXTUAL QUESTION
7.1 Explain why there was ‘mystery’ (line 1) surrounding the milk.
The milk disappeared and nobody knew where it was. (1)
7.2 ‘The animals had assumed as a matter of course …’ (lines 3–4). At this
stage in the novel, are the animals right in making an assumption about
the apples? Explain clearly.
Yes. They are newly liberated from Jones’s yoke, and the 7
Commandments (‘All animals are equal …’) are fresh in everybody’s
mind. This is an assumption that is based on the reality of the
Rebellion’s success.
(NOTE: No mark for ‘Yes’ only.) (3)
7.3 What do the animals reveal about themselves when some of them
‘murmured’ (line 6)? Relate your answer to events later in the novel.
They are unsure of themselves. They know instinctively that the
decision is unjust. Later, this wariness is abused by the pigs when they
usurp all power, because nobody challenges them – they offer only a
weak ‘murmur’. (2)
7.4 With close reference to lines 9–20, explain how Squealer makes use of
propaganda techniques to make the ‘necessary explanation’ (line 8).
Misinformation – scientific ‘proof’ that milk and apples are particular to
pigs’ diets.
Close association with the animals – ‘we’, ‘comrades’ adds to the
misconception that they are all equal.
The repetition of rhetorical questions proves that there is more than
enough evidence to explain the obvious.
The threat that Jones might come back, weighs heavier than any current
situation. Nobody wants Jones to return.
(Any 2 examples with adequate explanation.) (4)
7.5 ‘Do you know what would happen if we pigs failed in our duty?’ (lines
16–17). Comment on the irony of Squealer’s question.
The pigs have failed in their duty – they are unconcerned about the
wellbeing of the animals. They would have shared whatever was
available on the farm in the true spirit of Animalism if they were doing
their duty. (2)
7.6 Briefly explain what had just happened to leave the animals ‘weary and
bleeding’ (line 1).
Frederick and his men blew up the windmill using explosives leaving the
animals ‘weary and bleeding’. (1)
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 9
7.7 7.7.1 Refer to the second paragraph. Provide a possible reason for
Squealer’s absence. Link your answer to his character.
He was probably hiding, because, like Napoleon, Squealer
is not brave and he does not like to work. (2)
7.7.2 Squealer is ‘skipping’ and ‘beaming’ (line 11). What does his
behaviour reveal about the pigs’ attitude at this critical time?
They enjoy the victory, but at the expense of the other animals.
Squealer is insensitive about the animals and what they endured
– he does not even try to hide his excitement. (2)
7.8 7.8.1 Refer to lines 14–16. Is Boxer right when he does not see their
fighting as a ‘victory’? Explain your answer.
Yes. The victory is hollow, because it is at the expense of the
animals. They are injured and shocked.
(NOTE: No mark for ‘Yes’ only.) (2)
7.8.2 Boxer’s reaction in these lines is unusual. Why?
He seldom questions the leadership, and is happy to work hard.
Here, he openly questions Squealer, something that could have
contributed to his death. (2)
7.9 7.9.1 Refer to the last paragraph. Comment on the irony contained in
Squealer’s promise that ‘We will build another windmill.’ (line
21).
It will not be ‘we’, because the pigs never do any hard labour.
They only manage from the comfort of Jones’s house. (2)
7.9.2 Comment on the military diction used by Squealer, and quote in
support of your answer.
The terms ‘enemy’, ‘occupation’, ‘won’ create the impression that
a great battle was fought. It is misleading and typical of
Squealer’s propaganda tactics. (2)
[25]
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10 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
QUESTION 8: PRIDE AND PREJUDICE – ESSAY QUESTION
Use the following, among others, as a guide to marking this question.
Responses might differ, depending on the candidate’s sensitivity to
and understanding of the novel, and the writer’s intention.
Refer to the rubric at the end of the paper to assess this question.
The possibility of marriage between Darcy and Elizabeth at the start of the novel
seems remote. In a carefully planned essay of 400–450 words (2–2½ pages) in
length, discuss how the reader is eventually convinced, or not, that their
marriage will succeed.
They meet when the differences between them, especially their social
status, are glaringly obvious. Darcy makes no secret of the fact that
Elizabeth’s family are infra dig, and openly scorns her mother and sisters’
behaviour. Elizabeth is equally disapproving of his haughty demeanour
and pride.
Darcy, however, has a change of heart when he gets to know Elizabeth
during her stay with the Bingleys. He learns to appreciate her
independence and her wit.
Elizabeth is not so easily convinced. His alleged treatment of Wickham
proves her opinion of him. She is thus surprised when she receives his
proposal – is he blind?
When Elizabeth learns of Darcy’s involvement in trying to rescue what
little remains of the Bennet reputation after Lydia’s elopement with
Wickham, she is forced to rethink her opinion of Darcy. She realises that
her criticism of his pride might be too severe; she has to admit that she is
prejudiced.
During the visit she and the Gardiners make to Pemberley, she is
pleasantly surprised when Mrs Reynolds gives a glowing account of her
master. She is impressed by the scale of his estate, and reconsiders her
curt denial of his suit. His unexpected arrival and charm leave her with
the pleasant realisation that Darcy is indeed affable and kind and wealthy
and all the other nice things a girl in her position cannot overlook.
She is ashamed of her family, and cannot fault Darcy’s opinion on that.
She falls in love with him when she gets to know him, and understands
that he possesses qualities dear to her.
Darcy is probably unaccustomed to be rebuked, especially if the rebuke is
from someone of a lower class to him. He grows to admire Elizabeth, and
does not hold her family’s uncouth behaviour against her. His prejudice
dissipates when he realises that Elizabeth possesses qualities dear to
him.
Only when these two characters admit their follies and grow an
understanding of each other, are they able to fall in love. Their eventual
marriage is one based on trust and understanding – as good a reason as
ever to risk marriage. [25]
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 11
QUESTION 9: PRIDE AND PREJUDICE – CONTEXTUAL QUESTION
9.1 Briefly explain why Elizabeth and Jane are guests of the Bingleys.
Jane falls ill during her visit to them, and Elizabeth arrives to nurse her
sister. (2)
9.2 Refer to lines 1–5. How accurate is Miss Bingley’s ‘abuse’ of Elizabeth’s
character?
Not accurate – it is malicious. She is overly critical and nasty. (2)
9.3 Miss Bingley tries to elicit some response from Darcy in this extract.
Why?
She is in love with him, and probably regards him as a prospective
husband. She tries to align herself with him against the Bennets. (2)
9.4 9.4.1 Mr Bingley comes to Elizabeth’s defence. What does this say
about him?
He is unlike his sisters. He is decent and probably likes
Elizabeth. He sees the good in people. (1)
9.4.2 Mr Darcy, however, seems to agree with the ladies’ impression
of Elizabeth. How is this typical of Darcy’s character?
Probably. He is a snob, and regards Elizabeth as inferior.
OR: No, he remarks on her eyes in a rather suggestive way.
OR: It is not very clear where he stands, because he does not
take part in their gossiping. (2)
9.4.3 Despite Darcy’s reluctance to contradict the Bingley sisters’
impressions of Elizabeth, he does concede that her eyes ‘were
brightened by the exercise’ (line 27). Why would he notice this?
Probably because he is falling in love with her, and notices her.
OR: He is a man, and that is what they do. (2)
9.5 Comment on how Jane Austen makes fun of the British class system in
this extract.
The Bingley sisters are members of the very exclusive upperclass in
England, yet they indulge in a scurrilous conversation about a woman
who does not belong to their group and who has just left the room. Their
behaviour is not ‘upperclass’; in fact, it is quite the opposite. Their
conversation is empty and boring on the outside, hardly associated with
such smart lives as theirs. (3)
9.6 Briefly relate what occurs when Elizabeth and the Gardiners visit Darcy’s
estate.
Mrs Reynolds meets them and shows them around, much to Elizabeth’s
surprise – she did not know that Darcy’s estate is so impressive.
Darcy arrives unexpectedly and shows them around. He is charming
and hospitable – another surprise.
Mrs Reynolds regales the visitors with accounts of Mr Darcy’s
generosity, his kindness towards his sister, and her admiration is
palpable.
(Any 2 mentioned. Or 1 detailed account.) (2)
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12 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
9.7 Why would Mrs Gardiner agree with Darcy’s housekeeper, Mrs
Reynolds, that Darcy is not ‘proud’ (line 3)?
Darcy is a charming host who invites her husband to fish on his water.
He is generous and hospitable. (2)
9.8 9.8.1 Why does Mrs Gardiner refer to Wickham?
She knows that Elizabeth likes him. (1)
9.8.2 From what you know about the rest of the novel, is it fair to
draw a comparison between ‘handsome’ Wickham and Darcy?
Explain.
No, because Wickham’s character – his lying, seduction of a
young Lydia and opportunistic character – are in shrill contrast
to Darcy’s kindness towards the Bennets in ‘handling’ the
elopement, and his devotion to Elizabeth. Being handsome
carries very little weight. (2)
9.9 Account for the different way in which Darcy treats the Gardiners and the
way in which he views Elizabeth’s immediate family.
The Gardiners are unlike the rest of Elizabeth’s family. Here, he is
hospitable and kind towards them, and shows a different side of himself. (2)
9.10 With close reference to the title of the novel, explain why Elizabeth does
not find Darcy so ‘disagreeable’ (line 9) anymore.
She is not as prejudiced as before, because she has realised that Darcy
is kind – he saves her family from embarrassment when he intervenes to
arrange that Lydia and Wickham can get married.
Darcy’s pride is not that acute – he appreciates that Elizabeth is unlike
her family, and instead of ignoring her, he is falling in love with her. (2)
[25]
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 13
QUESTION 10: THE GREAT GATSBY – ESSAY QUESTION
Use the following, among others, as a guide to marking this question.
Responses might differ, depending on the candidate’s sensitivity to
and understanding of the novel, and the writer’s intention.
Refer to the rubric at the end of the paper to assess this question.
Nick says that Tom and Daisy ‘smash up things’. In a carefully planned essay of
400–450 words (2–2½ pages) in length, comment critically on the truth or
otherwise of this statement.
It is true. Both of them are involved in situations where the lives of other
people are ruined because of them.
Tom’s involvement with Myrtle is self-indulgent. He has no plan to marry
her. He lies to her when he says Daisy is Roman Catholic, and will not
grant him a divorce. This lie gets him off the hook. Myrtle does not see
this – she is convinced that Tom is the answer to her prayers, and if his
wife will not divorce him, at least he will take her away from the Valley of
the Ashes and George. Tom is almost cruel in his deception – Myrtle
might not be likable, but nobody deserves such treatment. He literally
smashes her up when he breaks her nose. Still, Myrtle stays, because
she believes it will get better.
Tom does not tell George the truth about Gatsby. He deliberately lies to
him, and George believes that Gatsby drove the car that causes Myrtle’s
horrible death. He finds Gatsby and shoots him before he commits
suicide. He might not have ‘smashed’ them himself, but these two deaths
are attributable to Tom.
Daisy may have had some feelings for Gatsby, but whatever redeeming
qualities she had, come to nothing when she indulges in her affair with
him. Did she see this as a dalliance; would she have left Tom? It is
unlikely, because she has been aware of his philandering since their
honeymoon, yet she stays with him. So, the ideal picture that Gatsby has
of her is just that. She is not willing to make a sacrifice for Gatsby, and
she turns her back on him, ultimately ruining him. Her lack of conscience
when she conveniently does not admit to causing Myrtle’s death is
despicable. She has ‘smashed’ Myrtle and Gatsby, and continues her
rarefied existence without even a backward glance.
It is a testimony to their recklessness that Nick decides to leave the East
and return home, because in the Midwest, where he comes from, there is
not this disregard for other life. [25]
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14 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
QUESTION 11: THE GREAT GATSBY – CONTEXTUAL QUESTIONS
11.1 Place the extract in context.
This is Nick’s first visit to the Buchanans since he has been working in
New York City. (2)
11.2 11.2.1 Refer to lines 1–8. Explain Nick’s annoyance with Tom’s
response in line 7.
Tom is arrogant and his dismissal of Nick’s answer is
insulting. (2)
11.2.2 Tom’s response is typical of him. Discuss.
Tom believes he is better than others. If he does not know
what you are talking about, then it is not worth knowing. (2)
11.2.3 To what extent does your impression of the characters from
these lines change in the course of the novel? Explain your
answer.
It does not change.
Tom becomes more who he is here. He remains arrogant
and self-centred. His treatment of Daisy and others is cruel.
Nick realises that Tom will not change and that his wealth will
always shelter him from responsibility and accountability. He
distances himself from Tom and his ilk by returning to the
Midwest. (3)
11.3 11.3.1 With reference to the rest of the novel, comment on the irony
in Tom’s reply that he will definitely ‘stay in the East’ (line 10).
He does not stay in the East, because he and Daisy move
away from situations that are problematic, e.g. Tom’s
indiscretions and Myrtle’s death. They have never stayed
long in one place anyway. (2)
11.3.2 Comment on the illusion that Nick had about being a ‘bond
man’ (line 4) in the ‘East’ (line 9).
He assumed that he would do well in New York City, but
realised that making money is not everything. At the end of
the novel, he decides to return home, leaving behind the idea
that being a ‘bond man’ brings happiness. (2)
11.4 11.4.1 Miss Baker and Daisy have been ‘lying on that sofa’ for a long
time. Why is this typical?
They do not do much; they do not have to work and are idle. (2)
11.4.2 Although she and Daisy are friends, Jordan Baker differs from
Daisy. How?
She is independent – emotionally and financially. She earns
money playing golf, and her intelligence allows her insight into
life that someone like Daisy lacks. (2)
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 15
11.5 ‘Life starts all over again when it gets crisp in the fall’ (lines 5 – 6). How
true are Jordan’s words if you consider what happens to the
Buchanans at the end of the novel?
True – they leave East Egg at the start of autumn to start a ‘new life’
away from all the unhappiness and deaths they have caused. Their
money affords them this luxury. (2)
11.6 Daisy is ‘on the verge of tears’ and ‘confused’ (lines 7–8) Account for
her state of mind.
She realises that Tom is aware of Gatsby’s feelings for her, and she
also realises that Gatsby has far more invested in their relationship
than she does. This causes her the be ‘confused’, and ‘on the verge of
tears’. (2)
11.7 11.7.1 Refer to line 18. Had Daisy really said the words ‘I love you’?
Explain your answer.
No. But the situation is so tense and laden with emotion, she
might have.
(NOTE: No mark for ‘No’ only.) (1)
11.7.2 Explain why Tom is ‘astounded’ when he realises what had
just happened. Refer to his relationship with Daisy in your
answer.
His arrogance is so complete, that it has never occurred to
him that his wife might be in love with somebody other than
him. Although he loves Daisy, he has no loyalty as a
husband. He has been indiscreet and regularly unfaithful
since their honeymoon, but in Tom’s life, other people exist
for Tom. So this is an inversion of life as Tom knows it. (3)
[25]
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16 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
QUESTION 12: OTHELLO – ESSAY QUESTION
Use the following, among others, as a guide to marking this question.
Responses might differ, depending on the candidate’s sensitivity to
and understanding of the drama, and the writer’s intention.
Refer to the rubric at the end of the paper to assess this question.
‘Though I do hate him as I do hell’s pains, I must show ... a sign of love.’
In a carefully planned essay of 400–450 words (2–2½ pages) in length, show
how Iago’s ‘sign(s) of love’ formed the basis of Othello’s disastrous end.
Iago never has any love for Othello, and makes it his business to ruin
him, because his hatred is something that is much stronger than
anything else.
Much of Iago’s success at manipulating Othello lies with his ability to
disseminate. He shows ‘love’ when he orchestrates Cassio’s demotion,
only to ingratiate himself with Iago. Once Cassio spends time in
Desdemona’s company, the die is cast.
Iago has Othello ‘on the hip’; pretending to have Othello’s best interests
at heart when he coyly refuses to divulge unbecoming behaviour from
Cassio and Desdemona. Iago is set. Othello becomes obsessed with
the idea that his bride is unfaithful.
Iago positions himself as Othello’s confidante, and ultimately, advisor.
He gains this position by pretending to ‘love’ Othello – he promises his
loyal support when he kneels next to Othello, he provides ‘ocular proof’
at the right moment, he even suggests how Othello must murder
Desdemona.
By now, Othello shares intimacies with Iago, and their roles are ironically
reversed: the general is now beholden unto the lieutenant.
He is intuitively aware of Othello’s shortcomings, but he never calls them
such. He steers each situation in the direction he wants it to go, e.g.
when he advises Othello to eavesdrop on Cassio talking about Bianca.
To the unsuspecting Othello all of Iago’s actions are proof of his loyalty,
and help, and love’.
When it is too late, and he has killed the only woman he has ever loved,
only then does Othello understand the extent of Iago’s duplicity; the
falseness of his ‘love’.
While it is never exactly clear what it is that drives Iago, it does not
matter. It is the ease with which he deceives that finally becomes the
issue – it is difficult to feel sorry for Othello, yet one has to admit that
Iago’s ‘love’ is also powerfully seductive. [25]
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 17
QUESTION 13: OTHELLO – CONTEXTUAL QUESTION
13.1 Comment on the irony of Othello’s remark in line 1.
Iago is most certainly not honest. He is manipulative and deceives
Othello to bring about Othello’s destruction. (2)
13.2 Refer to lines 1–6. Mention 2 aspects of Othello’s character evident
here.
He is in charge – he arranges to meet with Cassio the next day.
He is the keen husband – he cannot wait to leave with his wife. (2)
13.3 Comment on the dramatic effect that Shakespeare achieves by writing
the dialogue between Iago and Cassio in prose form.
It underlines the informal and easy relationship between them. This
suggests an element of trust, which Iago pretends, and Cassio believes. (2)
13.4 In lines 11–20 it is clear that Cassio and Iago’s impressions of
Desdemona differ. Explain what this conversation reveals about the two
characters. Quote in support of your answer.
Iago: He refers to her as ‘full of game’, ‘sport’ – all suggestive and
inappropriate. He is lewd and indiscreet.
Cassio: She is ‘most fresh and delicate’, ‘right modest’ – tones of
respect and decency. He cannot say something that is off-colour; he is
a gentleman. (4)
13.5 13.5.1 Why does Iago insist that Cassio has a drink?
He knows that Cassio has problems with drink and will be able
to be more easily manipulated when he is drunk. (1)
13.5.2 Briefly relate the dire consequences for Cassio when he does
drink with Iago.
Cassio gets drunk, is involved in a fight with Montano and
Roderigo, which leads to his demotion by Othello. (2)
13.6 What does Cassio show when he addresses Othello as ‘Dear General’
(line 1)?
He respects him; he acknowledges him as his superior.
He does not find it difficult to do what is right. (2)
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18 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
13.7 13.7.1 Explain why Othello’s use of the metaphor in line 4 is so
appropriate.
He has been ‘ensnared’, because his jealousy has bound him
to believe Iago’s lies, and he could not escape from the
torment the jealousy had brought on. He has been trapped
physically and mentally – he is overwhelmed by the situation.
(NOTE: Award full marks if candidates show a logical
explanation.) (3)
13.7.2 Why, do you think, does Othello not direct his question at Iago
in lines 2–4?
Probably because he feels he owes Cassio an apology, and
that Iago is not worth an explanation. He now knows Iago for
what he is – dishonest – and wants to distance himself from
such a villain. (1)
13.8 13.8.1 What do Iago’s last words reveal about him?
He remains in control. He will not explain anything, and
nobody will know exactly why he did what he did. (2)
13.8.2 As a director of the play, how would you direct the actor to say
lines 5 and 6? Explain your answer.
Firmly, confidently. Iago retains control, and he must convey
that through his voice. (2)
13.9 Explain how the significance of this scene taking place in Desdemona’s
bedchamber creates the appropriate mood.
Sexual jealousy is the relevant theme here, therefore it is appropriate.
The intimacy of their bedroom is what Othello’s jealousy has destroyed,
and the evidence is lying on the very bed where their love was
consummated. (2)
[25]
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 19
QUESTION 14: THE CRUCIBLE – ESSAY QUESTION
Use the following, among others, as a guide to marking this question.
Responses might differ, depending on the candidate’s sensitivity to and
understanding of the drama, and the writer’s intention.
Refer to the rubric at the end of the paper to assess this question.
Miller explores the role of power in The Crucible. In a carefully planned essay of
400–450 words (2–2½ pages) in length, assess to what extent you agree with this
statement.
Yes, it is true.
Proctor is a powerful character. He is an independent individual, who lives
according to what he sees as right. He maintains a certain independence
within the community – when he has to plant and harvest, he does not go
to church, and is not afraid to admit it. He enjoys some respect in town
because of this.
Parris is unhappy, because he does not enjoy everybody’s support. His
dissatisfaction because he does not own a property, reflects his desire to
have status and power. He knows if his daughter is guilty of witchery, he
will lose his position and will probably not find a congregation again. He
cannot give up this position, this power.
When the court hearings start, the judges are in charge. They are powerful
people, because they are educated, and because the fate of many citizens
is in their hands. Yet this power is questionable when they refuse to
consider that the girls’ testimony might be false. Abigail, their chief
witness, has stolen money and disappeared. It is possible that she was
able to persuade the judge with her manipulative ways, thereby
undermining his position, something he can never admit. Their authority is
tainted – surely they are biased? But they cling to their position of power.
That is more important than justice.
Parris is in the thrall of a group of teenage girls. (What is HE doing in the
woods? – one might rightly ask.) His inability to take control creates the
perfect opportunity for Abigail and her acolytes to step in and dictate the
course of events.
Hale, with all his books and qualifications, comes to Salem confident that
he will provide the answers. But he is disabused of this belief when he has
to admit that there is no evidence of witchery. He is different from the
others – he acknowledges his mistake, and does not pursue a course of
action simply to retain his status.
Mr Putnam uses the witch hunt to feed his greed for land. He is powerful
because he has money, and he wants to keep things like this. He does not
question the veracity of the cases – he uses the proceedings to ensure that
he can grab more land.
It is clear that most characters prefer to cling to their positions rather than
pursue the truth. They avoid the truth to retain whatever they want to hold
on to, even if it means witnessing the deaths of many innocent people,
most of whom they know. [25]
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20 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
QUESTION 15: THE CRUCIBLE – CONTEXTUAL QUESTION
15.1 Hale urges Proctor to testify in court. Briefly explain why Hale would
want this.
His reputation is on the line here.
He also realises that Proctor would be a reliable witness. (2)
15.2 Comment on Proctor’s tone of voice in lines 6–10, and what it should
reveal about him in this context.
His tone of voice would be confident.
He speaks with conviction, even passion, because he believes the
truth. He is also protective of his wife, and this shows in his tone. (3)
15.3 15.3.1 To whom does Proctor refer in lines 7–9?
To his wife, Elizabeth. (1)
15.3.2 How accurate is his assessment of this person? Explain
your answer.
Accurate. She is good and truthful and faithful – she
chooses to do what is right. She only lies in order to protect
him. (2)
15.4 Why is the stage instruction for Hale in line 11 ironic?
He is in Salem to prove witchery, and here he is willing to listen to
contrary testimony. (2)
15.5 15.5.1 What does Proctor mean when he says that Elizabeth
‘bewilder(s)’ (line 25) Hale?
She has confounded Hale when she said that she cannot
believe in witches. Hale has come to the Proctors to
establish the Christian character of their home and Elizabeth
has claimed not to believe in witches which are
acknowledged in the Bible. (1)
15.5.2 What does Proctor’s admonishment say about his
relationship with Elizabeth?
He is protective of her. He wants her to say the right things
so that she will not be harmed. (2)
15.6 In lines 26–30 Elizabeth reveals an uncharacteristic confidence and
strength. Discuss.
She is usually reticent, yet here she speaks strongly about her
innocence. It shows that she is not involved in any witchcraft, and
that she is a deeply religious and devoted woman. (3)
15.7 What does Elizabeth imply about Abigail when she tells Hale to
question her ‘about the Gospel’ (line 35)?
That Abigail needs to be questioned about her intentions and her
sanctity; she is not innocent of the teachings of the Gospel. (2)
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 21
15.8 15.8.1 To what ‘confession’ (line 1) does Danforth refer?
The confession that he has seen the devil. (1)
15.8.2 In Proctor’s outcry (lines 4–8) he emphasises that he only
has his name. Explain the significance of these lines.
Proctor believes in his independence and that reputation is
what matters. If people have lied about him, he cannot
change that. He can only live up to his name, and therefore
his reputation. That is the only true, real thing about him. (2)
15.9 Comment on the irony of Danforth’s words, ‘I will not deal in lies,
Mister!’ (lines 10–11).
The whole trial is based on lies, and Danforth has been dealing in
them. (2)
15.10 In lines 18–24 Proctor strongly shows his character. What does he
show, and quote to support your answer.
He has made a choice – to do the right thing, to be true – “I see some
shred of goodness in John Proctor”. He loves his wife and has no
hesitation in showing it; it is almost a relief doing so – “kisses her with
great passion”.
He is an admirable character because of this.
(If quote is not included but clearly implied, give 2.) (2)
[25]
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22 ENGLISH HOME LANGUAGE P2 (SEPTEMBER 2014)
APPENDIX A: RUBRIC FOR MARKING THE POETRY ESSAY (10 MARKS)
Criteria Exceptional Skilful Moderate Elementary Inadequate
8–10 6–7 4–5 2–3 0–1
CONTENT - In-depth - Shows - Fair interpretation of - Unsatisfactory - No understanding of
interpretation of understanding and topic interpretation of the topic
Interpretation of topic. has interpreted - Some good points in topic. - No reference to the
topic. Depth of - Range of striking topic well. support of topic - Hardly any points poem
argument, arguments; - Fairly detailed - Some arguments in support of topic. - Learner has not
justification and extensively response. supported, but - Inadequate come to grips with
grasp of text. supported from - Sound arguments evidence is not understanding of genre and poem.
poem. given, but not all of always convincing. genre and poem.
7 MARKS - Excellent them as well - Basic understanding
understanding of motivated as they of genre and poem.
genre and poem. could be.
- Understanding of
genre and poem.
STRUCTURE AND - Coherent structure. - Clear structure and - Some evidence of - Structure shows - Poorly structured
LANGUAGE - Arguments well- logical flow of structure. faulty planning - Serious language
structured and argument. - Essay lacks a well- - Arguments not errors and incorrect
Structure, logical flow clearly developed. - Flow of argument structured flow of logically arranged style.
and presentation. - Language, tone and can be followed. logic and - Language errors
Language, tone and style mature, - Language, tone coherence. evident.
style used in the impressive, correct and style largely - Language errors - Inappropriate tone
essay - Virtually error-free correct. minor; tone and and style.
grammar, spelling style mostly
3 MARKS and punctuation. appropriate
MARK RANGE 8–10 6–7 4–5 2–3 0–1
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(SEPTEMBER 2014) ENGLISH HOME LANGUAGE P2 23
APPENDIX B: SECTION B AND C: ASSESSMENT RUBRIC FOR LITERARY ESSAY – NOVEL AND DRAMA: 25 MARKS
Criteria Exceptional Skilful Moderate Elementary Inadequate
CONTENT 12–15 9–11 6–8 4–5 0–3
- Outstanding - Shows - Mediocre - Scant interpretation - Very little
Interpretation of response: 14–15 understanding and interpretation of of topic; hardly any understanding of
topic. Depth of Excellent response: has interpreted topic; not all aspects aspects explored in the topic.
argument, 12–13 topic well. explored in detail. detail. - Weak attempt to
justification and - In-depth - Fairly detailed - Some good points in - Few points in answer the
grasp of text. interpretation of response. support of topic. support of topic. question.
topic. - Some sound - Some arguments - Very little relevant - Arguments not
15 MARKS - Range of striking arguments given, supported, but argument . convincing.
arguments but not all of them evidence is not - Little understanding - Learner has not
extensively as well motivated always convincing. of genre and text. come to grips with
supported from text. as they could be. - Partial genre or text.
- Excellent - Understanding of understanding of
understanding of genre and text genre and text.
genre and text. evident.
STRUCTURE AND 8–10 6–7 4–5 2–3 0–1
LANGUAGE - Coherent structure. -Clear structure and - Some evidence of - Structure shows - Lack of planned
- Excellent logical flow of structure. faulty planning. structure impedes
Structure, logical flow introduction and argument. - Logic and - Arguments not flow of argument.
and presentation. conclusion. - Introduction and coherence logically arranged. - Language errors
Language, tone and - Arguments well- conclusion and apparent, but - Language errors and incorrect style
style used in the structured and other paragraphs flawed. evident. make this an
essay. clearly developed. coherently - Some language - Inappropriate tone unsuccessful piece
- Language, tone and organised. errors; tone and and style. of writing.
10 MARKS style mature, - Logical flow of style mostly - Paragraphing - Inappropriate tone
impressive, correct. argument. appropriate. faulty. and style.
- Language, tone and - Paragraphing - Paragraphing faulty.
style largely mostly correct.
correct.
MARK RANGE 20–25 15–19 10–14 5–9 0–4
NOTE: If a candidate has ignored the Content completely and written a creative essay instead, award a 0 mark for both
Content and Structure and Language.
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