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NATIONAL SENIOR CERTIFICATE EXAMINATION
NOVEMBER 2019
DANCE STUDIES
Time: 3 hours 150 marks
PLEASE READ THE FOLLOWING INSTRUCTIONS CAREFULLY
1. This question paper consists of 7 pages and 4 music tracks. Please check that your
question paper is complete.
2. Read the questions carefully.
3. Number your answers exactly as the questions are numbered.
4. You are required to choose between QUESTION 8 and QUESTION 9. Answer all
the other questions.
5. All answers must be in essay/paragraph format unless otherwise stated.
6. Begin each section on a new page.
7. Leave THREE lines open after each answer.
8. It is in your own interest to write legibly and to present your work neatly.
9. Credit will be given (where appropriate) for:
interpretation and explanation.
evidence of personal observation and understanding.
10. You may choose to stand up and move your body at your desk for some anatomy
questions.
11. Please use the voice label for each music track to determine which track needs to
be listened to for each question.
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Dance Studies Grade 12 IEB 2019 Question Paper
IEB Grade 12 Dance Studies question paper from the 2019, 7 pages. Read online or get the free PDF download, memo linked when available.
Publisher: IEB
Dance Studies · Grade 12 · 2019. Question paper, 7 pages. Read online or download the PDF.
- Subject
- Dance Studies
- Grade
- Grade 12
- Document type
- Question paper
- Year
- 2019
- Publisher
- IEB
- Curriculum
- IEB
- Pages
- 7
- File size
- 1001.7 KB
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NATIONAL SENIOR CERTIFICATE: DANCE STUDIES Page 2 of 7
SECTION A DANCE HISTORY AND THEORY
Refer to the table of the prescribed choreographers and dance works below to
answer both QUESTION 1 and QUESTION 2. DO NOT write on the same
choreographer twice.
INTERNATIONAL DANCE SOUTH AFRICAN DANCE
CHOREOGRAPHERS WORKS CHOREOGRAPHERS WORKS
Alvin Ailey Revelations Alfred Hinkel Last Dance
(Bolero)
Christopher Bruce Ghost Dances Alfred Hinkel and Cargo
Magnet Theatre
Sir Kenneth Macmillan Romeo and Gregory Maqoma Four Seasons
Juliet
QUESTION 1
"Good choreography fuses eye, ear and mind"
– Arlene Croce –
Choose a choreographer and a dance work from the list above and reflect on how
this quote can be related to the work. Write an essay in which you analyse how the
choreographer engages the "eyes, ears and mind" of the audience through details
on the use of movement vocabulary and the theatrical aspects employed in the
work. Include brief biographical information about the choreographer.
Remember to name the choreographer and the dance work you have chosen.
Use the following rubric to guide your answer.
Levels Criteria
The candidate's response is mostly clear, insightful and accurate. He/she gives
detailed information on the choreography and his/her answer clearly relates to the
7 quote in the question. Clear details are given on the background of the
(25–20 marks) choreographer. He/she analyses the ideas behind dance fully and is able to
substantiate clearly and convincingly, using examples from the choreography,
how these ideas are brought across.
The candidate's response is good, showing some insight and accuracy. He/she
includes good information on choreography and his/her answer relates to the
6
quote in the question. Good information is given on the background of the
(19–18 marks)
choreographer. He/she shows good insight into how the choreographer's ideas
are conveyed, using good examples from the dance work.
The candidate's response is fair, but lacks insight and accuracy. He/she includes
adequate information on the choreography and makes some reference to the
4–5
quote. Some information on the choreographer's background is given. His/her
(17–16 marks)
answer gives adequate insight into how the choreographer conveys his/her ideas,
using some examples from the dance work.
The candidate's response shows some knowledge of the facts but lacks insight
and substantiation. He/she includes very little information on the background of
3
the choreographer and very little reference to the quote. His/her answer provides
(15–13 marks)
little insight into how the choreographer conveys his/her ideas, using few
examples from the dance work.
The candidate's response is weak, showing very little insight and accuracy.
2 His/her response to the quote is weak and the information on the background of
(12–9 marks) the choreographer and on how the choreographer conveys his/her ideas lacks
detail and substantiation.
1 The candidate fails to give an adequate answer to the question.
(8–0 marks)
[25]
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NATIONAL SENIOR CERTIFICATE: DANCE STUDIES Page 3 of 7
QUESTION 2
All the choreographers on the prescribed list were inspired or influenced by
something specific to create their dance work. Choose one choreographer whom
you feel had a very clear idea behind their dance work, and write an essay in
which you analyse how these ideas were translated into movement. You may refer
to all choreographic elements employed by the choreographer. Include information
on the choreographer's own background and training that may have influenced the
piece.
DO NOT write about the same choreographer you discussed in QUESTION 1.
Use the following rubric to guide your answer.
Levels Criteria
The candidate's response is insightful, accurate and clear. He/she includes
detailed information on how the choreographer's ideas were brought to life.
7
He/she discusses the dance fully in terms of movement and all theatrical
(25–20 marks)
elements and makes relevant mention of the choreographer's background. All
information is clearly and convincingly substantiated.
The candidate's response is good, showing insight and accuracy. He/she includes
good information on how the choreographer's ideas were brought to life. He/she
6
discusses the dance fully in terms of movement and all theatrical elements and
(19–18 marks)
makes good reference to the choreographer's background. All information is clear
and substantiated.
The candidate's response is fair, but lacks insight and accuracy. He/she includes
4–5 some information on the use of movement and other theatrical elements and
(17–16 marks) makes some reference to the choreographer's background. His/her information
lacks clear substantiation.
The candidate's response shows some knowledge of the facts but lacks insight
3 and substantiation. He/she includes very little information on the use of
(15–13 marks) movement, theatrical elements and the choreographer's background but with very
little detail.
The candidate's response is weak, showing very little insight and accuracy. The
2
information on the use of movement, theatrical elements and the choreographer's
(12–9 marks)
background is minimal and all information lacks detail and substantiation.
1 The candidate fails to give an adequate answer to the question.
(8–0 marks)
[25]
QUESTION 3
Analyse how the two dance principles listed below are used in the dance genre
you have studied. Define each element and substantiate your answer with
examples of movement from your practical experience.
gravity
balance
[10]
60 marks
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NATIONAL SENIOR CERTIFICATE: DANCE STUDIES Page 4 of 7
SECTION B MUSIC APPRECIATION
QUESTION 4
Listen to the four tracks on your CD and give the following information:
(Remember to number the tracks carefully according to the CD.)
4.1 Give the genre and time signature of all four tracks. (8)
4.2 Choose the Italian term that best fits Track 1 and Track 2 and briefly explain
why you have chosen these terms. (4)
4.3 Name the category (either Western classification or classification according
to sound) the instruments in Track 1, Track 2 and Track 4 fit into. (Name a
category for each of these tracks). (3)
[15]
QUESTION 5
Choose ONE of the tracks on the CD and describe how it could be used in a
dance composition/choreography. Refer to the mood and tempo of the music and
how it would influence your theme and your movement choices. (Remember to
name the track you have chosen.)
[8]
QUESTION 6
When analysing the choreographic works on the prescribed lists one needs to take
into account the choreographers' choice of music and how this influences and
enhances the ideas behind the work. With this in mind, write a short paragraph in
which you explain the music from one piece of choreography you have studied.
Name the piece of choreography you have chosen and make sure your answer
gives the following information:
6.1 Identify the composer of the music. (1)
6.2 What is the style of the music used? (1)
6.3 Include a short analysis of how the music enhances the ideas behind the
choreography. (5)
[7]
30 marks
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NATIONAL SENIOR CERTIFICATE: DANCE STUDIES Page 5 of 7
SECTION C ANATOMY AND HEALTHCARE
QUESTION 7
Study the diagram of the muscles in the body below and answer the questions that
follow.
[Source: <anatomia-fascia-lata-musculo-recto-interno-ligamento-lateral-interno-y-externo.jpg>]
7.1 Name all labelled muscles/muscle groups. (9)
7.2 List the actions of the following muscles.
(Note: the mark allocation per muscle indicates how many actions you must
mention.)
7.2.1 Muscle B (3)
7.2.2 Muscle D (2)
7.2.3 Muscle E (2)
7.2.4 Muscle F (3)
[19]
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NATIONAL SENIOR CERTIFICATE: DANCE STUDIES Page 6 of 7
ANSWER EITHER QUESTION 8 OR QUESTION 9.
QUESTION 8
"Understanding the inner workings of the stretch mechanism in the muscle can only help
the dancer improve his or her flexibility."
[Source: IADMS – <http://www.iadms.org>]
8.1 Referring to the "inner workings" and the "stretch mechanism" mentioned in
the above quote, explain in detail what happens within the muscle when it is
stretched. (8)
8.2 Analyse how one can improve one's flexibility giving details of TWO stretch
techniques to back up your answer. (8)
[16]
OR
QUESTION 9
"Even though it's easy to presume that when we're moving, our extremities do most
of the work, the opposite is true: most movement starts at the centre and moves
outward."
[Source: Besthealthmag.ca]
9.1 In relation to the above quote, explain what core strength is and why it is
important for the dancer. (8)
9.2 Analyse how core strength can be improved, giving examples of exercises
you would use to do so. (8)
[16]
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NATIONAL SENIOR CERTIFICATE: DANCE STUDIES Page 7 of 7
QUESTION 10
Refer to the photograph of the dancer below and answer the following questions:
10.1 Identify the anatomical actions in his RIGHT hip, knee and ankle joints. (4)
10.2 Name one muscle/muscle group responsible for one of the actions in his
RIGHT hip. (Identify which action you are referring to.) (1)
10.3 Name one muscle/muscle group responsible for the action in his RIGHT
knee and one muscle/muscle group responsible for the action in the RIGHT
ankle. (2)
10.4 Which anatomical actions are occurring in his LEFT hip? (2)
10.5 Give the anatomical actions in his RIGHT and LEFT shoulder joints and
name one muscle/muscle group responsible for the action in each shoulder. (4)
[13]
[Source: <CJvAgzqVAAArCMe.jpg>]
QUESTION 11 NUTRITION
11.1 Plan a detailed menu for one day in a dancer's life. (6)
11.2 Choose one of the meals in your plan and break it down into all the
nutritional values it provides. Explain why each nutrient in this meal is
important to the dancer's health. (6)
[12]
60 marks
Total: 150 marks
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