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NATIONAL
SENIOR CERTIFICATE
GRADE 11
NOVEMBER 2016
DESIGN P1
MARKS: 100
TIME: 3 hours
*IDSGNE*
This question paper consists of 13 pages.
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Design Grade 11 Paper 1 Eastern Cape November 2016 Question Paper
Grade 11 Design Paper 1 question paper from the Eastern Cape November 2016, 13 pages. Read online or get the free PDF download, memo linked when available.
Design · Grade 11 · Eastern Cape November · 2016. Question paper, 13 pages. Read online or download the PDF.
- Subject
- Design
- Grade
- Grade 11
- Document type
- Question paper
- Year
- 2016
- Exam period
- Eastern Cape November
- Paper
- 1
- Curriculum
- CAPS
- Pages
- 13
- File size
- 1.5 MB
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2 DESIGN P1 (EC/NOVEMBER 2016)
INSTRUCTIONS AND INFORMATION
1. There are FIVE questions in this question paper.
2. Answer ALL the questions.
3. Read the questions and instructions for each question very carefully.
4. Answer in full sentences and avoid simply listing facts.
5. Use the mark allocation to determine how many facts are required and how
much time must be spent on each question.
6. DO NOT repeat the same facts and examples in different questions.
7. Write neatly and legibly.
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(EC/NOVEMBER 2016) DESIGN P1 3
SECTION A
QUESTION 1
VISUAL LITERACY: UNSEEN WORK
1.1
FIGURE 1: Fashion design by Phiwase Nxumalo,
‘House of Diva’, Swaziland.
1.1.1 With reference to the fashion garment as seen in FIGURE 1
above, analyse FOUR of the following terms.
Line
Shape
Unity
Rhythm
Contrast
Scale / Proportion (8)
1.1.2 Identify the inspiration for the creation of the garment.
Substantiate your answer. (2)
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4 DESIGN P1 (EC/NOVEMBER 2016)
1.2
FIGURE 2
FIGURE 2 shows a sign where typographical flaws need to be improved.
Explain how these flaws could be altered with regards to:
Alignment (1)
Kerning (1)
1.3
FIGURE 3: Propaganda poster, ‘Set free political prisoners’.
Analyse the poster in FIGURE 3 explaining how the following are used
to effectively convey the message to the viewer:
Symbols (2)
Propaganda (2)
Gestalt Principles (2)
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(EC/NOVEMBER 2016) DESIGN P1 5
1.4
FIGURE 4: AMREF poster, ‘Educate women. Strengthen Africa’.
1.4.1 Choose THREE of the following terms with specific reference to
the poster design in FIGURE 4 to explain your understanding of:
Serifs
Typeface
Font
Reversed-out-type (6)
1.4.2 A poster needs to visually communicate a message. Give TWO
well supported reasons of how the poster above effectively reflects
its intended message. (2)
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6 DESIGN P1 (EC/NOVEMBER 2016)
1.5 Study the image in FIGURE 5 below and answer the questions that follow.
FIGURE 5: Abercombie and Fitch store bag
1.5.1 Explain the stereotype of the image used in the design for the store
bag in FIGURE 5. (2)
1.5.2 Discuss TWO ways in which stereotyping that occurs in advertising
campaigns can be negative or destructive. You may refer to the
image in FIGURE 5 in your discussion. (2)
TOTAL SECTION A: 30
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(EC/NOVEMBER 2016) DESIGN P1 7
SECTION B: DESIGN HISTORY AND POPULAR CULTURE
QUESTION 2: INTERNATIONAL HISTORY OF DESIGN
(ARTS AND CRAFTS MOVEMENT; ART NOUVEAU; BAUHAUS;
ART DECO; DE STIJL; MODERNISM; SCANDINAVIAN)
2.1
FIGURE 1: Art Deco pendant necklace FIGURE 2: Art Nouveau
pendant necklace
Write an essay in which you COMPARE the necklace designs in FIGURE 1
and FIGURE 2, to show how each reflects the design style of the movement
that it represents.
You essay must include the following:
Aims (2)
Influences (4)
General characteristics (4)
(Do not use tables or headings. Write a comparative essay, using
paragraphs.)
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8 DESIGN P1 (EC/NOVEMBER 2016)
2.2
FIGURE 3: Polyhedra Modular coffee table designed by Haldane Martin.
FIGURE 4: Love Me, Love Me Not handcrafted coffee table designed by
John Vogel.
The contemporary South African design in FIGURE 3 can be said to reflect
Modernism and the design in FIGURE 4 can be said to reflect The Arts and
Crafts Movement.
In a COMPARITIVE ESSAY, apply your knowledge to show how each
design reflects the style/characteristics of the movements by discussing the
following:
Materials
Craftsmanship
Subject matter
Colour
(In an essay using paragraphs, your answer must be a point for point
comparison. Do not repeat the names of movements discussed in
QUESTIONS 2.1, 2.3 and 2.4.) (8)
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(EC/NOVEMBER 2016) DESIGN P1 9
2.3
FIGURE 5: Neo Hob Stove Top Kettle contemporary design by Oliver
Hemming (Britain).
2.3.1 FIGURE 5 above shows a strong influence of the Bauhaus School
of Art and Design.
Discuss FOUR characteristics of the Bauhaus style and TWO
influences on the design movement that are visible in the design of
the product. (6)
2.3.2 Explain how the design of the product in FIGURE 5 adheres to the
principle of ‘Form follows function’. (2)
2.4 2.4.1 Give the name of ONE De Stijl designer and the title of their work. (2)
2.4.2 Outline ONE aim and ONE influence of De Stijl. (2)
[30]
QUESTION 3: POPULAR CULTURE
Designs from the past tell the story about the people who created it and the era in
which they lived.
Offer an overview of how the impact of social factors created changes in trends
on design movements from the beginning of the 1900’s to the 1970’s.
(Do not use tables or headings. Write an essay, using paragraphs.)
[10]
TOTAL SECTION B: 40
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10 DESIGN P1 (EC/NOVEMBER 2016)
SECTION C: CONTEMPORARY, INTERNATIONAL, ENVIRONMENTAL AND
SOCIAL DESIGN
QUESTION 4: ENVIRONMENTAL DESIGN
FIGURE 1: New Jerusalem Children’s Home (Midrand, Gauteng), 2012.
The house is constructed out of 28 old shipping containers with the orientation of the
building carefully considered. The orphanage features timber screens constructed of
eco-friendly wood-plastic composite decking, a roof garden for thermal mass and the
inside walls and ceilings of the containers are clad in dry wall plus isotherm foam
insulation.
The containers were raised on plinths to encourage the flow of air. The home has also
been fitted with solar thermal and photovoltaic systems.
A domestic effluence system converts all effluence from the kitchen, laundry, toilets
and bathrooms to water suitable for irrigation. The permaculture garden provides the
children with a constant supply of fresh, organically grown fruit and vegetables.
4.1 Study the images of FIGURE 1 and the accompanying information above.
Apply your knowledge of the terms environmentally responsible and
sustainable design to the design in FIGURE 1. Show your understanding of
these terms by making reference to the innovative technology used in the
construction of the house. (5)
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(EC/NOVEMBER 2016) DESIGN P1 11
4.2
FIGURE 2: Environmental Defense Fund’s (EDF) poster on climate
change.
With reference to the above poster in FIGURE 2, comment on how the design
stirs people to a level which would make them aware of global warming.
Explain your answer with reference to portrayal of image and text. (2)
4.3 Discuss the work of ONE International designer or design group that you have
studied whose work clearly addresses environmental issues.
Include the following information in your essay:
The name of the designer/group
The designer’s/group’s aims and approach to design
The name of a design by this designer/group and an explanation of how
this/these product(s) addresses environmental issues. (8)
[15]
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12 DESIGN P1 (EC/NOVEMBER 2016)
QUESTION 5: SOCIALLY RESPONSIBLE DESIGN
5.1 Study the images and text in FIGURE 1 below and then answer the
questions seen on the following page.
FIGURE 1: LIFE SACK solar water purification device
designed by Jung Uk Park, Myeong Hoon Lee and Dae Youl Lee.
The sack is used as a container for shipping grains and other food staples
to third world countries. Once the food has been received, the sack can
be used as a solar water purification kit.
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(EC/NOVEMBER 2016) DESIGN P1 13
5.1.1 Supply THREE reasons why the Life Sack water purification device
can be considered to be a socially responsible product. (3)
5.1.2 Describe TWO ways in which Universal Design can be recognised
in this product design. (2)
5.2 Write about the work of ONE South African or ONE international socially
responsible designer or design group.
Write an essay in which you include the following information:
Name of the designer/design group
Aims and social responsibility
Influences
General characteristics
An analysis of ONE work by that designer and an explanation of how
that work clearly indicates social responsibility.
(Indicate whether your choice of socially responsible designer/design group
is South African or international.) (10)
[15]
TOTAL SECTION C: 30
GRAND TOTAL: 100
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