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NATIONAL
SENIOR CERTIFICATE
GRADE 11
ENGLISH HOME LANGUAGE P3
NOVEMBER EXAMINATION 2026 (MOCK)
MARKING GUIDELINES
MARKS: 100
These marking guidelines consist of 12 pages.
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English HL Grade 11 P3 November Mock Exam 2 2026 Memo (English)
Grade 11 English HL Paper 3 memorandum from the November Mock Exam 2 2026 (English), 12 pages. Read online or get the free PDF download, question paper linked when available.
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English HL · Grade 11 · November Mock Exam 2 · 2026. Memorandum, 12 pages. Read online or download the PDF.
- Subject
- English HL
- Grade
- Grade 11
- Language
- English
- Document type
- Memorandum
- Year
- 2026
- Exam period
- November Mock Exam 2
- Paper
- 3
- Publisher
- Hlayiso
- Curriculum
- CAPS
- Pages
- 12
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English Home Language/P3
2
NSC – Marking Guidelines
Hlayiso/Mock 2026
INFORMATION FOR THE MARKER
In assessing a candidate's work, the following aspects, among others, drawn from the
assessment rubrics, must be borne in mind:
• The overall effect of planning, drafting, proofreading and editing of the work on the final
text produced.
• Awareness of writing for a specific purpose, audience and context – as well as register,
style and tone – especially in SECTION B.
• Grammar, spelling and punctuation.
• Language structures, including an awareness of critical language.
• Choice of words and idiomatic language.
• Sentence construction.
• Paragraphing.
• Interpretation of the topic that will be reflected in the overall content: the introduction,
development of ideas and the conclusion.
SUGGESTED APPROACH TO MARKING
SECTION A: ESSAY
Refer to the rubric for assessing an essay on pages 10–11 of these marking guidelines.
CRITERIA
MARKS
CONTENT AND PLANNING (60%)
30
LANGUAGE, STYLE AND EDITING (30%)
15
STRUCTURE (10%)
5
TOTAL
50
1. Read the whole piece and decide on a category for CONTENT AND PLANNING.
2. Re-read the piece and select the appropriate category for LANGUAGE, STYLE AND
EDITING.
3. Re-read the piece and select the appropriate category for STRUCTURE.
SECTION B: TRANSACTIONAL TEXTS
Refer to the rubric for assessing transactional texts on page 12 of these marking guidelines.
CRITERIA
MARKS
CONTENT, PLANNING AND FORMAT (60%)
15
LANGUAGE, STYLE AND EDITING (40%)
10
TOTAL
25
1. Read the whole piece and decide on a category for CONTENT, PLANNING AND
FORMAT.
2. Re-read the piece and select the appropriate category for LANGUAGE, STYLE AND
EDITING.
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NOTE:
• Various formats of transactional texts have been taught and are in current practice. This
must be considered when assessing format. Give credit for appropriateness of format.
• Look for a logical approach in all writing.
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English Home Language/P3
4
NSC – Marking Guidelines
Hlayiso/Mock 2026
NOTE:
• The points given below each topic serve only as a guide to markers.
• Allowance must be made for a candidate's own interpretation of the topic, even if it differs
from the given points or a marker's own views or interpretations.
SECTION A: ESSAY
QUESTION 1
Candidates are required to write ONE essay of 350–400 words (approximately 2 pages) on
ONE of the given topics. Candidates may write in any genre: narrative, descriptive, reflective,
discursive, argumentative, or any combination of these.
1.1
Thresholds
• Any genre. The topic may be interpreted literally or figuratively.
• Literal: the doorway/entrance of a home, school, hospital, courtroom or new
workplace; stepping over the threshold of a place for the first time; a threshold
in science (e.g. a pain or hearing threshold).
• Figurative: the point at which something new begins – adulthood, a new
school or province, a first job, a relationship, independence, leaving home,
matric; the limit of one's patience or endurance ('I had reached my threshold').
• A narrative could build towards a decisive moment of crossing; a reflective
essay could consider the fear and excitement of new beginnings. The
interpretation must be clear and sustained.
[50]
1.2
'We know what we are, but know not what we may be.'
• Reflective/narrative/discursive/argumentative.
• The essay should engage with the idea of potential: people are capable
of becoming more (or other) than they currently imagine – through growth,
opportunity, hardship, choices or change.
• Possible approaches: a person who surprises himself/herself (positively or
negatively); the unknown future; how circumstances change people; the
danger of labels and limiting beliefs; reinvention; the uncertainty of identity in
adolescence.
• Candidates may also explore the darker side: people do not know what they
may become under pressure (temptation, power, grief).
• Knowledge of Hamlet is NOT required; do not penalise candidates who do
not refer to the play.
[50]
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1.3
The following words must appear in the essay: I recognised the
handwriting at once …
• Most likely narrative, but any genre is acceptable.
• The words must appear somewhere in the essay (not necessarily at the
beginning) and must be integrated meaningfully – not simply tacked on.
Penalise under CONTENT if the words do not appear or are not integrated.
• Possible contexts: a letter from a parent who has died or left; an anonymous
note; a message in an old book; a threatening or mysterious letter; a love
letter; a forged document; a note left by a friend who has disappeared; a
childhood diary.
• The handwriting should be linked to a person, a memory or a revelation,
and should lead to development (suspense, discovery, reconciliation, grief,
resolution).
[50]
1.4
'If you want to go fast, go alone; if you want to go far, go together.'
• Reflective/discursive/argumentative/narrative.
• The proverb suggests that individual effort may bring quick results, but lasting
success and long-term goals depend on co-operation, teamwork, community
and support from others (ubuntu).
• Possible content: a team, choir or study group that succeeded together; a
family or community pulling together through hardship; a candidate who tried
to do everything alone and learnt the value of help; stokvels, community
projects, nation-building; friendship and mentorship.
• Candidates may question the statement, e.g. groups can slow one down or
hold one back, peer pressure, the value of independence and self-reliance,
or the need to balance both.
• A literal journey/race narrative is acceptable if the link to the figurative
meaning is clear.
[50]
1.5
Every learner should complete a year of community service before
receiving a matric certificate.
• Argumentative/discursive (allow a narrative/reflective essay that clearly
engages with the statement).
• For: builds responsibility, empathy and work experience; helps communities
(schools, clinics, old-age homes, clean-ups); keeps youth active during
unemployment; builds skills and a CV; promotes national unity.
• Against: delays further study/work; learners from poor families need to earn
money immediately; who will fund and supervise it; forced service may be
resented; the matric certificate should reflect academic achievement only;
schools/communities may not have enough placements.
• An argumentative essay must take a clear, consistent stance; a discursive
essay must weigh both sides fairly and reach a conclusion.
[50]
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1.6
Pictures
Candidates may interpret the pictures in any way and write in any genre. There must, however,
be a clear link between the picture and the essay.
1.6.1
An open birdcage
• The picture shows a birdcage on a table/windowsill with its door standing
open, an empty swing/perch and a feather on the floor of the cage; a bird
is flying towards a window with one pane swung open, beyond which other
birds fly free in the sky.
• Possible interpretations: freedom, escape, release from an abusive or
controlling situation, leaving home, independence, letting go of someone you
love, a prisoner's release, overprotective parents, loss (a pet or a person who
has 'flown away'), finding one's voice, the risks of freedom; a bird that has
left the cage but is still inside the room (partial or false freedom).
[50]
1.6.2
A crossroads
• The picture shows a lone person (seen from behind, carrying a backpack) at
the point where a road divides into two paths (left and right); a signpost with
three blank arrow-shaped boards pointing left and right stands at the fork.
• Possible
interpretations:
choices
and
decisions
(subjects,
careers,
friendships, right and wrong), uncertainty about the future, being lost,
a journey, peer pressure, regret about a road not taken, independence,
finding direction in life.
[50]
1.6.3
A lighthouse in a storm
• The picture shows a lighthouse on a rock shining its beam across a dark,
stormy sea in which a small sailing boat is battling high waves; rain and
lightning fill the sky.
• Possible interpretations: hope and guidance in dark times, a mentor/
parent/teacher who guides us, survival, danger, rescue, faith, perseverance,
loneliness (the lighthouse keeper), a storm as a metaphor for depression,
conflict or crisis.
[50]
TOTAL SECTION A:
50
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SECTION B: TRANSACTIONAL TEXTS
QUESTION 2
Candidates are required to respond to TWO of the topics set. The body of each response
should be 180–200 words (20–25 lines) in length. The language, register, style and tone must
be appropriate to the context.
2.1
LETTER TO THE PRESS
• Format: the sender's address and date; the editor's address (or the
newspaper's name/address); salutation 'Sir/Madam' or 'The Editor'; a subject
line (optional); body; formal closing ('Yours faithfully'); name (pseudonym
acceptable if specified).
• Formal register; the tone may be concerned, angry or urgent but must remain
respectful and reasoned.
• Content should refer to the article: more than 300 learners walking up to 8 km;
leaving before sunrise; arriving tired and hungry; officials blaming 'contract
delays' with no return date.
• Views may include: the right to basic education and safe access to school;
safety risks (crime, traffic, weather); the effect on concentration, attendance
and results; poor communication by officials.
• Suggestions might include: urgent interim transport, a clear timeline and
accountability, communication with parents, community lift clubs/taxis,
walking groups with adult supervision, involving the school governing body,
councillors or the provincial department.
[25]
2.2
INTERVIEW
• Format: names of the interviewer and interviewee on the left margin, followed
by a colon; a new line for each speaker; an introduction/setting may be given;
no inverted commas. A brief introduction by the interviewer and a closing
(thanks) are expected.
• Questions should be open-ended and should draw out Ayanda's story: how
and why she started, early challenges (money, skills, trust of customers,
balancing studies), how the business grew, employing young people, the
impact on households affected by power cuts, future plans and advice to
other young entrepreneurs.
• Answers must be consistent with the information in the extract (19 years old;
started two years ago in her grandmother's kitchen; four employees; more
than 1 000 lamps). Candidates may add plausible detail.
• Register: semi-formal, respectful and lively, suitable for a school newspaper.
There must be a natural flow; the interview must not become a list of
questions with one-word answers.
[25]
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NSC – Marking Guidelines
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2.3
FORMAL REPORT
• Format: heading/title; To; From; Date; Subject/Terms of reference. The body
should be divided into numbered sections with sub-headings, e.g. Terms
of reference, Procedure/Method (interviews, questionnaires, gate registers),
Findings, Conclusions, Recommendations; signature, name and designation
of the writer.
• Register: formal, objective and impersonal; may be written in the passive
voice; no emotive language; brief and factual.
• Findings might include: unreliable or expensive transport; long distances;
household responsibilities (taking siblings to crèche); oversleeping/late
nights on cellphones; lack of consequences; congestion at the gate; learners
loitering at shops.
• Recommendations might include: a late-coming register with consequences,
a gate monitored by RCL members, engagement with parents, a reward
system for punctuality, negotiation with transport operators, staggered start/
assembly changes, awareness campaigns.
[25]
2.4
CURRICULUM VITAE (CV) AND COVERING LETTER
• Covering letter: format of a formal letter – the sender's address, date,
recipient's address (The Visitor Centre Manager, Thaba Nature Reserve, PO
Box 2140, Polokwane, 0700), salutation, subject line referring to the position,
body, 'Yours faithfully', signature and name.
• The letter should refer to the advertisement; state why the candidate is
interested; highlight relevant qualities (communication skills, love of the
outdoors, working with children, reliability) and refer the reader to the
attached CV; state availability for the December holidays and for an interview.
• CV: personal details (name, contact details, date of birth/age – 16
years or older), educational background, achievements, skills, interests/
hobbies, experience (e.g. volunteer work, Eco-club, scouts, babysitting, sport
coaching) and at least two referees with contact details. Point form and
headings are acceptable in the CV.
• Assess the two parts together; the covering letter should carry most of the
writing. Register: formal and confident.
• The 180–200 word count applies to the covering letter and CV together. A
point-form CV is acceptable and must not be penalised for brevity; do not
penalise a candidate whose combined length is slightly over because of CV
headings and personal details.
[25]
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2.5
SPEECH
• An appropriate greeting/acknowledgement of the audience (e.g. 'Good
evening, Principal, teachers, parents/guardians and Grade 9 learners').
• The speech should include the candidate's own experience of choosing
subjects (doubts, mistakes, what helped) and practical advice: consider
interests
and
strengths,
career
requirements
(e.g.
Mathematics
vs
Mathematical Literacy, Physical Sciences for certain careers), university/
APS requirements, speaking to teachers and career counsellors, not
choosing subjects because of friends, considering workload, being honest
with parents/guardians.
• Because parents/guardians are present, the speech may address them too
(supporting, not forcing, choices).
• Tone: friendly, encouraging and sincere; register appropriate to a formal
school evening; may use rhetorical questions, anecdotes and humour. There
must be a clear introduction, body and conclusion, and thanks to the
audience.
[25]
2.6
NEWSPAPER ARTICLE
• Format: a catchy headline; by-line (name of writer); possibly a sub-heading
and sub-headings; short paragraphs; written in the third person or as a
feature with direct address to readers.
• Content should warn young people about online scams (fake job offers that
ask for 'registration fees', fake competitions that ask for banking details/
OTPs, fake online shops, phishing messages and links, social-media account
hacking) and explain how to protect themselves: never share passwords/
PINs/OTPs, check website reviews and contact details, be suspicious of
offers that sound too good to be true, use strong passwords and two-step
verification, report scams to the bank, the platform or the police, and warn
friends and family.
• May include an illustrative (fictional) example of a local victim.
• Register: informative and concerned but accessible; suited to a community
newspaper readership.
[25]
TOTAL SECTION B:
50
GRAND TOTAL:
100
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NSC – Marking Guidelines
Hlayiso/Mock 2026
SECTION A: ASSESSMENT RUBRIC FOR ESSAY – HOME LANGUAGE [50 MARKS]
NOTE: Marks from 0–50 have been divided into FIVE major level descriptors. In the Content and Planning and the Language, Style and Editing criteria, each
level is divided into an upper-level and a lower-level subcategory with the applicable mark range and descriptors. Structure is not affected by the upper-level and
lower-level division.
Criteria
Exceptional
Skilful
Moderate
Elementary
Inadequate
CONTENT AND
PLANNING (Response
and ideas)
Organisation of ideas
for planning; awareness
of purpose, audience
and context
30 MARKS
Upper
level
28–30
– Outstanding/striking
response beyond normal
expectations
– Intelligent,
thought-provoking and
mature ideas
– Exceptionally well
organised and coherent
(connected), including
introduction, body and
conclusion/ending
22–24
– Very well-crafted
response
– Fully relevant and
interesting ideas with
evidence of maturity
– Very well organised and
coherent, including
introduction, body and
conclusion/ending
16–18
– Satisfactory response
– Ideas are reasonably
coherent and convincing
– Reasonably organised
and coherent, including
introduction, body and
conclusion/ending
10–12
– Inconsistently coherent
response
– Unclear ideas and
unoriginal
– Little evidence of
organisation and
coherence
4–6
– Totally irrelevant
response
– Confused and unfocused
ideas
– Vague and repetitive
– Unorganised and
incoherent
Lower
level
25–27
– Excellent response but
lacks the exceptionally
striking qualities of the
outstanding essay
– Mature and intelligent
ideas
– Skilfully organised and
coherent, including
introduction, body and
conclusion/ending
19–21
– Well-crafted response
– Relevant and interesting
ideas
– Well organised and
coherent, including
introduction, body and
conclusion
13–15
– Satisfactory response but
some lapses in clarity
– Ideas are fairly coherent
and convincing
– Some degree of
organisation and
coherence, including
introduction, body and
conclusion
7–9
– Largely irrelevant
response
– Ideas tend to be
disconnected and
confusing
– Hardly any evidence of
organisation and
coherence
0–3
– No attempt to respond to
the topic
– Completely irrelevant
and inappropriate
– Unfocused and muddled
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SECTION A: ASSESSMENT RUBRIC FOR ESSAY – HOME LANGUAGE (continued)
Criteria
Exceptional
Skilful
Moderate
Elementary
Inadequate
LANGUAGE, STYLE
AND EDITING
Tone, register, style,
vocabulary appropriate
to purpose/effect and
context; word choice;
language use and
conventions,
punctuation, grammar,
spelling
15 MARKS
Upper
level
14–15
– Tone, register, style and
vocabulary highly
appropriate to purpose,
audience and context
– Language confident,
exceptionally impressive –
compelling and rhetorically
effective in tone
– Virtually error-free in
grammar and spelling
– Highly skilfully crafted
11–12
– Tone, register, style and
vocabulary very
appropriate to purpose,
audience and context
– Language is effective
and a consistently
appropriate tone is used
– Largely error-free in
grammar and spelling
– Very well crafted
8–9
– Tone, register, style and
vocabulary appropriate to
purpose, audience and
context
– Appropriate use of
language to convey
meaning
– Tone is appropriate
– Rhetorical devices used
to enhance content
5–6
– Tone, register, style and
vocabulary less
appropriate to purpose,
audience and context
– Very basic use of
language
– Diction is inappropriate
– Very limited vocabulary
0–3
– Language
incomprehensible
– Tone, register, style and
vocabulary not appropriate
to purpose, audience and
context
– Vocabulary limitations so
extreme as to make
comprehension impossible
Lower
level
13
– Language excellent and
rhetorically effective in tone
– Virtually error-free in
grammar and spelling
– Skilfully crafted
10
– Language engaging and
generally effective
– Appropriate and effective
tone
– Few errors in grammar
and spelling
– Well crafted
7
– Adequate use of
language with some
inconsistencies
– Tone generally
appropriate and limited use
of rhetorical devices
4
– Inadequate use of
language
– Little or no variety in
sentences
– Exceptionally limited
vocabulary
STRUCTURE
Features of text;
paragraph development
and sentence
construction
5 MARKS
5
– Excellent development of
topic
– Exceptional detail
– Sentences and
paragraphs exceptionally
well constructed
4
– Logical development of
details
– Coherent
– Sentences and
paragraphs logical, varied
3
– Relevant details
developed
– Sentences and
paragraphs well
constructed
– Essay still makes sense
2
– Some valid points
– Sentences and
paragraphs faulty
– Essay still makes sense
despite flaws
0–1
– Necessary points lacking
– Sentences and
paragraphs faulty
MARK RANGE
40–50
30–39
20–29
10–19
0–9
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SECTION B: ASSESSMENT RUBRIC FOR LONGER TRANSACTIONAL TEXT – HOME LANGUAGE [25 MARKS]
Criteria
Exceptional
Skilful
Moderate
Elementary
Inadequate
CONTENT, PLANNING
AND FORMAT
Response and ideas;
organisation of ideas for
planning; purpose,
audience, features/
conventions and context
15 MARKS
13–15
– Outstanding response
beyond normal expectations
– Intelligent and mature
ideas
– Extensive knowledge of
features of the type of text
– Writing maintains focus
– Coherence in content and
ideas
– Highly elaborated and all
details support the topic
– Appropriate and accurate
format
10–12
– Very good response
demonstrating good
knowledge of features of
the type of text
– Maintains focus – no
digressions
– Coherent in content and
ideas, very well elaborated
and details support topic
– Appropriate format with
minor inaccuracies
7–9
– Adequate response
demonstrating knowledge of
features of the type of text
– Not completely focused –
some digressions
– Reasonably coherent in
content and ideas
– Some details support the
topic
– Generally appropriate
format but with some
inaccuracies
4–6
– Basic response
demonstrating some
knowledge of features of
the type of text
– Some focus but writing
digresses
– Not always coherent in
content and ideas
– Few details support the
topic
– Has vaguely applied
necessary rules of format
– Some critical oversights
0–3
– Response reveals no
knowledge of features of
the type of text
– Meaning is obscured with
major digressions
– Not coherent in content
and ideas
– Very few details support
the topic
– Has not applied
necessary rules of format
LANGUAGE, STYLE AND
EDITING
Tone, register, style,
purpose/effect, audience
and context; language use
and conventions; word
choice; punctuation and
spelling
10 MARKS
9–10
– Tone, register, style and
vocabulary highly
appropriate to purpose,
audience and context
– Grammatically accurate
and well constructed
– Virtually error-free
7–8
– Tone, register, style and
vocabulary very appropriate
to purpose, audience and
context
– Generally grammatically
accurate and well
constructed
– Very good vocabulary
– Mostly free of errors
5–6
– Tone, register, style and
vocabulary appropriate to
purpose, audience and
context
– Some grammatical errors
– Adequate vocabulary
– Errors do not impede
meaning
3–4
– Tone, register, style and
vocabulary less appropriate
to purpose, audience and
context
– Inaccurate grammar with
numerous errors
– Limited vocabulary
– Meaning is obscured
0–2
– Tone, register, style and
vocabulary do not
correspond to purpose,
audience and context
– Error-ridden and confused
– Vocabulary not suitable
for purpose
– Meaning seriously
obscured
MARK RANGE
20–25
15–19
10–14
5–9
0–4
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