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Province of the
EASTERN CAPE
EDUCATION
NATIONAL
SENIOR CERTIFICATE
GRADE 12
SEPTEMBER 2013
MUSIC P2
MEMORANDUM
MARKS: 33
This memorandum consists of 8 pages.
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Music Grade 12 Paper 2 Eastern Cape Mock 2013 Memo (English)
Grade 12 Music Paper 2 memorandum from the Eastern Cape Mock Exam 2013 (English), 8 pages. Read online or download the free PDF.
Music · Grade 12 · Eastern Cape Mock Exam · 2013. Memorandum, 8 pages. Read online or download the PDF.
- Subject
- Music
- Grade
- Grade 12
- Document type
- Memorandum
- Year
- 2013
- Exam period
- Eastern Cape Mock Exam
- Paper
- 2
- Curriculum
- CAPS
- Pages
- 8
- File size
- 638.5 KB
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Eastern Cape Mock Exam 2013
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2 MUSIC P2 (SEPTEMBER 2013)
SECTION A: AURAL
QUESTION 1: RHYTHM AND MELODY
TRACK 1 (to be played THREE TIMES.)
The bars numbered A, B, C and D in the musical excerpt below are in the incorrect order.
Listen to the music and put them in the order that corresponds with the music that you
hear. Write down the correct order of the bars by writing down the letter name of the
relevant bar. The music starts with the up-beat as written in the fragment.
Answer: B, C, A, D (4 x ½) [2]
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(SEPTEMBER 2013) MUSIC P2 3
QUESTION 2: DICTATION, CADENCES AND COMPOSITIONAL TECHNIQUES
TRACK 2 (to be played FOUR times)
Wait 2 – 3 minutes every time after it has been played to give adequate time to
complete the answer.
2.1 Fill in the missing notation at (a), bar 4. 6 notes x ½ mark each (3)
2.2 Figure the chord at (b), e.g. I6.
Answer: V7b (1)
2.3 Name the rhythmic device used in the left hand at (c), bar 16.
Answer: Syncopation (1)
2.4 Name the compositional technique used at (d), bars 20 – 22.
Answer: Sequence (1)
2.5 Name the key and cadence at (e), bars 23 – 24.
Answer: D minor, Perfect/ V-I (2)
[8]
TOTAL SECTION A: 10
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4 MUSIC P2 (SEPTEMBER 2013)
SECTION B: RECOGNITION OF MUSIC CONCEPTS AND GENRE
QUESTION 3: TRACK 3 (to be played TWICE.)
3.1 Identify the FOUR instruments that you hear in this extract.
1. Saxophone
2. Piano
3. Drums
4. Bass (4)
3.2 TRACK 4 (to be played TWICE.)
Identify FOUR characteristics from the list below which best describes the musical
extract. Indicate your answers by making a cross (X) in the relevant blocks.
Large chorus X
Small orchestra
Pounding timpani X
Repeating orchestral accompaniment X
Small range of dynamics
Cheerful character
Haunting character X (4)
3.3 TRACK 5 (to be played TWICE.)
Identify FOUR characteristics from the list below which best describes the musical
extract. Indicate your answers by making a cross (X) in the relevant blocks.
Kettle drums
Polyrhythms X
Simple Rhythms
Djembe Drums X
Cowbell X
Cymbals
Shakers X (4)
3.4 TRACK 6 (to be played TWICE.)
Identify the TWO sections of the orchestra that feature in this extract.
Indicate your answers by making a cross (X) in the relevant blocks.
Strings
Percussion X
Brass X
Woodwinds (2)
(14 ÷ 2) [7]
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(SEPTEMBER 2013) MUSIC P2 5
QUESTION 4
Answer THREE questions from QUESTIONS 4.1 to 4.6. Indicate which questions
you have chosen by circling the appropriate number.
TRACK 7 (to be played ONCE.)
4.1 4.1.1 With which style would you associate this music?
Answer: Jazz/Swing (1)
4.1.2 The piano, drums and bass make up which section of the band
associated with this style of music?
Answer: Rhythm section (1)
TRACK 8 (to be played ONCE.)
4.2 4.2.1 To which style period does this music belong?
Answer: Romantic (1)
4.2.2 With which genre would you associate this music?
Answer: Symphonic Poem (1)
TRACK 9 (to be played ONCE.)
4.3 4.3.1 Choose TWO musical terms that you associate with this extract.
Make a (X) in the appropriate blocks.
Whole-tone scale Raga X Djembe Drum
Sitar X Pentatonic Xylophone (2)
TRACK 10 (to be played ONCE.)
4.4 4.4.1 With which genre would you associate this music?
Answer: South African Jazz (1)
4.4.2 Name any artist or musician associated with this genre.
Answer: Hugh Masekela, Abdullah Ibrahim, Boet Gashe
(or any relevant South African Jazz artist) (1)
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6 MUSIC P2 (SEPTEMBER 2013)
TRACK 11 (to be played ONCE.)
4.5 4.5.1 What genre does this music belong to?
Answer: Symphony (1)
4.5.2 Give a definition of your answer in QUESTION 4.5.1.
Answer: Large scale work for orchestra in 3 or 4
movements. (1)
TRACK 12 (to be played ONCE.)
4.6 4.6.1 The instruments heard in this extract can be classified as:
Membranophones X Chordophones Idiophones (1)
4.6.2 Name ONE instrument associated with your answer in
QUESTION 4.6.1.
Answer: The name of any drum or other
membranophone may be accepted. (1)
[6]
TOTAL SECTION B: 13
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(SEPTEMBER 2013) MUSIC P2 7
SECTION C: FORM
QUESTION 5: TRACK 13 (to be played ONCE.)
Listen to the Gavotte by Prokofiev and answer the questions.
Gavotte
Symphony No. 1 in D Opus 25
5.1 What is the form of this work?
Answer: Ternary (1)
5.2 Give an analysis of the form by completing the table below. Use letter
names and bar numbers to indicate each section.
SECTION BARS MAIN KEYS
A√ 1-12 √ D major √
B√ 12-28 √ G major √
A√ 28-40 √ D major √ (9 ÷ 3) (3)
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8 MUSIC P2 (SEPTEMBER 2013)
TRACK 13 (to be played ONCE.)
5.2 5.2.1 Describe the instrumentation used in this piece by referring to the
different sections. You may also refer to bar numbers.
Answer: Section A is played by strings
Section B is played by woodwinds
Section A2 played by strings (3)
TRACK 13 (to be played ONCE.)
5.2.2 Explain THREE differences between the melody at the beginning
and when it returns again in bar 28.
Answer: It is played by flutes from bar 28.
There is an accompaniment played by strings.
The melody in the beginning is played forte
and piano in bar 28. (3)
TRACK 13 (to be played ONCE.)
5.2.3 Name TWO differences between the melody from bars 12 – 19 and
bars 20 – 28.
Answer: It is played an octave higher in bars 20 – 28.
There is a counter melody played by
woodwinds in bars 20 – 28. (2)
5.3 What is the term used for the plucking technique used by the string
instruments in some parts?
Answer: Pizzicato (1)
5.4 Which scale is formed by the notes in bars 3 – 4?
Answer: B major (1)
5.5 Describe the piece with regard to tonality, texture and style characteristics.
Answer:
Tonality: The main key of the piece is D major. Throughout the
piece there are key changes to B major, G major. √√ (2)
Texture: The piece starts off with a homophonic texture. There is a
change to a polyphonic texture in bar 20 where there is a
counter melody joining the main melody.√√ (2)
Style characteristics: Although this is a piece from the 20th century it
has features of classical music such as form,
melody and texture.√√ (2)
[20]
TOTAL SECTION C (20 ÷ 2): 10
GRAND TOTAL: 33
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