Music Grade 12 P2 Eastern Cape Mock 2018 QP (Eng)

Downloaded from hlayiso.com NATIONAL SENIOR CERTIFICATE GRADE 12 SEPTEMBER 2018 MUSIC P2 MARKS: 30 NAME: TIME: 1½ hours GRADE: *MUSCE2* This question paper consists of 15 pages and 1 page manuscript paper.

Downloaded from hlayiso.com 2 MUSIC P2 (EC/SEPTEMBER 2018) INSTRUCTIONS AND INFORMATION 1. This question paper consists of THREE sections: SECTION A (Aural) (10) SECTION B (Recognition) (12) SECTION C (Form) (8) 2. QUESTION 1, QUESTION 2, QUESTION 3 and QUESTION 7 are COMPULSORY. 3. Answer QUESTION 4 (WESTERN ART MUSIC – WAM) OR QUESTION 5 (JAZZ) OR QUESTION 6 (Indigenous African Music – IAM). 4. Candidates must write their answers on this question paper. Use a pencil for music notation and blue or black ink for the other answers. 5. This examination will be written while candidates listen to a CD. 6. The music teacher at the centre must conduct the examination in the presence of the invigilator. 7. The last page of the question paper is manuscript paper intended for rough work. It may NOT be removed by the candidate. 8. Candidates may NOT have access to any musical instrument for the duration of this examination. 9. Write neatly and legibly. INSTRUCTIONS TO THE PERSON OPERATING THE SOUND EQUIPMENT 1. The instructions for the music teacher appear in the frames. 2. Each musical extract (track) must be played the number of times specified in the question paper. 3. Allow enough time between tracks to allow candidates time to think and write their answers before playing the next track. 4. The number of the track must be announced clearly each time before it is played. 5. If a school offers more than one stream (WAM, JAZZ, IAM), the following guidelines must be followed: x Each stream must write the examination in a separate venue. x Each venue must be equipped with suitable sound equipment. x Each venue must have its own CD with musical extracts. x An invigilator must be present in each venue. x The tracks have to be played as follows: o WAM candidates: Tracks 1 to 17 and Tracks 34 to 36. o JAZZ candidates: Tracks 1 to 11; Tracks 18 to 25 and Tracks 34 to 36. o IAM candidates: Tracks 1 to 11 and Tracks 26 to 36. 6. A battery-powered CD player must be available In case of a power failure. Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2018) MUSIC P2 3 MARKING GRID SECTION A: AURAL TOTAL MARKER MODERATOR QUESTION 1 (COMPULSORY) 4 QUESTION 2 (COMPULSORY) 6 SUBTOTAL 10 SECTION B: RECOGNITION TOTAL MARKER MODERATOR QUESTION 3 (COMPULSORY) 4 AND QUESTION 4 (WAM) 8 OR QUESTION 5 (JAZZ) 8 OR QUESTION 6 (IAM) 8 SUBTOTAL 12 SECTION C: FORM TOTAL MARKER MODERATOR QUESTION 7 (COMPULSORY) 8 SUBTOTAL 8 GRAND TOTAL 30 Copyright reserved Please turn over

Downloaded from hlayiso.com 4 MUSIC P2 (EC/SEPTEMBER 2018) SECTION A: AURAL QUESTION 1 (COMPULSORY) Play Track 1 TWICE in succession. 1.1 Identify the time signature of this extract. Make a cross (X) in the relevant block below. 1.1.1 1.1.2 1.1.3 (1) Play Track 2 THREE times. Wait 30 seconds between each repetition. 1.2 Listen to the melodic and rhythmic phrase. Notate the rhythm of the missing notes in bars 3 and 4 on the stave below. (3) [4] Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2018) MUSIC P2 5 QUESTION 2 (COMPULSORY) Play Track 3 ONCE to provide a general overview. Listen to the melody from Lieder ohne worte, Op. 62 no. 1 by F. Mendelssohn and answer the questions that follow. 2.2 2.3 2.1 Name the main key of this extract. (1) Play Track 4 ONCE. 2.2 Identify the non-harmonic note at 2.2. (1) Play Track 5 THREE times. Wait 30 seconds between each repetition 2.3 Listen from bar 43 and fill in the missing notation at 2.3 on the score. (3) 2.4 On which beat does this extract begin? (1) Copyright reserved Please turn over

Downloaded from hlayiso.com 6 MUSIC P2 (EC/SEPTEMBER 2018) Play Track 6 ONCE. 2.5 Which ONE of the following ornaments is used in this extract? Make a cross (X) in the relevant block. Trill Appoggiatura Mordent (1) Play Track 7 ONCE. 2.6 Name the cadence and chords used at the end of the extract. (2) 2.7 Circle a melodic interval of a diminished fifth on the score. (1) 2.8 Give ONE term that best describes the free use of tempo when performing this piece. (1) 2.9 During which style period was this piece composed? (1) (12 ÷ 2) [6] TOTAL SECTION A: 10 Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2018) MUSIC P2 7 SECTION B: RECOGNITION OF MUSIC CONCEPTS QUESTION 3: GENERAL LISTENING (COMPULSORY) Mark THREE items in COLUMN A in QUESTIONS 3.1–3.4 that relate to the music that you hear. Make a cross (X) in THREE appropriate blocks. 3.1 Play Track 8 TWICE. COLUMN A Track 8 Clarinet and bassoon Compound duple time English horn and bassoon Simple quadruple time Baroque period Classical period (3) 3.2 Play Track 9 TWICE. COLUMN A Track 9 Idiophone, electrophone and aerophone Polyrhythm Idiophone, membranophone and aerophone Cross-rhythms Parallel intervals Irregular time (3) 3.3 Play Track 10 TWICE. COLUMN A Track 10 Adagio sostenuto Pedal point Constant dynamics Poco a poco crescendo Ground bass Allegro moderato (3) 3.4 Play Track 11 TWICE. COLUMN A Track 11 Arpeggios in piano part Minor tonality Major tonality Fugue Jazz trio Classical chamber music (3) (12 ÷ 3) [4] Copyright reserved Please turn over

Downloaded from hlayiso.com 8 MUSIC P2 (EC/SEPTEMBER 2018) Answer QUESTION 4 (WAM) OR QUESTION 5 (JAZZ) OR QUESTION 6 (IAM). QUESTION 4: WAM 4.1 Play Track 12 TWICE. 4.1.1 Which ONE of the following illustrates the correct rhythm of the theme that you hear? Make a cross (X) in the relevant block. (a) (b) (c) (1) Play Track 12 ONCE again. 4.1.2 Is the tonality of this extract major or minor? (1) Play Track 13 TWICE. 4.1.3 What do the first three opening chords have in common with the tonic key of this extract? (1) Play Tracks 14 and 15 TWICE in succession. 4.1.4 Compare the theme in Tracks 14 and 15 with regards to articulation and compositional techniques used. Mention ONE difference in articulation, ONE difference in compositional techniques and ONE similarity in compositional techniques. TRACK 14 TRACK 15 Articulation Compositional techniques (3) Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2018) MUSIC P2 9 4.2 Play Track 16 TWICE. 4.2.1 Identify the characters and voice types singing in this extract. Character 1: Character 2: (2) 4.2.2 To which subgenre of opera music does this extract belong to? (1) 4.2.3 Name the title of the opera and the composer. (2) 4.3 Play Track 17 TWICE. 4.3.1 Describe this work with regards to instrumentation, genre and style period. Instrumentation: Genre: Style period: (3) Play Track 17 ONCE again. 4.3.2 Identify the texture used in this extract. (1) 4.3.3 Provide this extract with a suitable title. (1) (16 ÷ 2) [8] OR Copyright reserved Please turn over

Downloaded from hlayiso.com 10 MUSIC P2 (EC/SEPTEMBER 2018) QUESTION 5: JAZZ 5.1 Play Track 18 ONCE. 5.1.1 Name the artist performing in this extract. (1) Play Track 19 ONCE. 5.1.2 Identify the chordophone instrument playing in the beginning of this extract. (1) Play Track 20 TWICE. 5.1.3 Comment on the use of harmonic chord progression used in this work. (2) 5.1.4 Provide this extract with a suitable title. (1) 5.2 Play Track 21 TWICE. 5.2.1 Choose the correct combo of instruments used in this extract. Make a cross (X) in the relevant block. Trumpet Trumpet Trumpet Piano Piano Piano Trombone Euphonium Trombone Double bass Double bass Cello Alto saxophone Tenor saxophone Alto saxophone Drum kit Drum kit Drum kit (1) Play Track 22 TWICE. 5.2.2 Name TWO rhythmical devices used on the percussion instrument. (2) Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2018) MUSIC P2 11 5.2.3 Give ONE term for the melodic material created on the solo instruments. (1) Play Track 22 ONCE again. 5.2.4 With which group do you associate this extract? (1) 5.3 Play Tracks 23 and 24 TWICE in succession. 5.3.1 Listen to Tracks 23 and 24 and choose TWO correct features that correspond with each extract that you hear. Make a cross (X) next to TWO features. TRACK 23 Pedal point Counter melodies Monophonic texture Melody played in unison Adagio TRACK 24 Simple melodies Polyphonic texture Andante Straight quaver rhythms Walking bass line (4) Play Track 25 TWICE. 5.3.2 With which artist and jazz style do you associate this track? Artist: Jazz style: (2) (16 ÷ 2) [8] OR Copyright reserved Please turn over

Downloaded from hlayiso.com 12 MUSIC P2 (EC/SEPTEMBER 2018) QUESTION 6: IAM 6.1 Play Track 26 TWICE. 6.1.1 Describe the music with regards to genre, instrumentation and artist/group. Genre: Instrumentation: Artist/Group: (3) Play Track 27 ONCE. 6.1.2 Identify TWO vocal techniques used as ornamentation in this extract. (2) Play Track 28 ONCE. 6.1.3 Which typical characteristic of African music features predominantly between the voices? Make a cross (X) in the appropriate block. Ostinato Polyphonic texture Call and answer (1) 6.2 Play Track 29 ONCE. 6.2.1 Name the South African style associated with this extract. (1) 6.2.2 With which African tribe do you associate this music? (1) Play Track 29 ONCE again. 6.2.3 Give a term for the instrumental introduction used in this style of music. (1) 6.2.4 Name ONE other South African style in which the concertina features predominantly. (1) Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2018) MUSIC P2 13 6.3 Play Track 30 TWICE. 6.3.1 Name the woodwind instrument that features in this extract. (1) 6.3.2 Which other typical African instrument does the instrument mentioned in QUESTION 6.3.1 imitate? (1) Play Track 31 ONCE. 6.3.3 Name ONE characteristic of Marabi music that is heard in this extract. (1) Play Track 32 TWICE. 6.3.4 Comment on the use of rhythms in the two accompanying guitar parts (lower guitar and higher guitar). Lower guitar: Higher guitar: (2) Play Track 33 ONCE. 6.3.5 Name the group that performs in this extract. (1) (16 ÷ 2) [8] TOTAL SECTION B: 12 Copyright reserved Please turn over

Downloaded from hlayiso.com 14 MUSIC P2 (EC/SEPTEMBER 2018) SECTION C: FORM QUESTION 7 (COMPULSORY) Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2018) MUSIC P2 15 Play Track 34 ONCE to provide an overview. Play Track 34 ONCE again. 7.1 What type of ensemble is used in this work? (1) 7.2 Identify the form of this work. (1) 7.3 Indicate the sections of the form mentioned in QUESTION 7.2 using CAPITAL LETTERS on the score. (3) Play Track 35 TWICE. 7.4 Listen to the thematic material used in bars 0 3 – 42. Mention ONE similarity and ONE difference in the use of the thematic material. Similarity: Difference: (2) Play Track 36 TWICE. 7.5 Listen to bars 163 – 24 and name the key and cadence used at the end of the extract. (1) TOTAL SECTION C: 8 GRAND TOTAL: 30 Copyright reserved Please turn over

Downloaded from hlayiso.com 16 MUSIC P2 (EC/SEPTEMBER 2018) ROUGH WORK: Copyright reserved Please turn over

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