Music P2 May June 2018 Memo Eng_hlayiso.com_.pdf

Downloaded from hlayiso.com SENIOR CERTIFICATE EXAMINATIONS MUSIC P2 2018 MARKING GUIDELINES MARKS: 30 These marking guidelines consist of 22 pages. Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 2 DBE/2018 SCE – Marking Guidelines INSTRUCTIONS AND INFORMATION 1. This question paper consists of THREE sections: SECTION A: Aural (10) SECTION B: Recognition (12) SECTION C: Form (8) 2. QUESTION 1, QUESTION 2, QUESTION 3 and QUESTION 7 are COMPULSORY. 3. Answer QUESTION 4 (Western Art Music (WAM)) OR QUESTION 5 (JAZZ) OR QUESTION 6 (Indigenous African Music (IAM)). 4. Write ALL your answers on this question paper. Use a pencil for music notation and blue or black ink for the other answers. 5. This examination will be written while candidates are listening to a CD. 6. The music teacher of the centre must conduct the examination in the presence of the invigilator. 7. The last page of this question paper is manuscript paper intended for rough work. The candidate must NOT remove this page. 8. Candidates may NOT have access to any musical instrument for the duration of this examination. 9. Candidates must take note of the mark allocation of each question to provide enough information in their answers. 10. Write neatly and legibly. Kopiereg voorbehou Blaai om asseblief

Downloaded from hlayiso.com Music/P2 3 DBE/2018 SCE – Marking Guidelines INSTRUCTIONS FOR THE PERSON OPERATING THE SOUND EQUIPMENT 1. The instructions for the music teacher appear in frames. 2. Each music extract (track) must be played the number of times specified in the question paper. 3. Allow adequate time between tracks to give candidates time to think and write their answers before playing the next track. 4. The number of the track must be announced clearly each time before it is played. 5. If a school offers more than one stream (Western Art Music (WAM)), jazz, Indigenous African Music (IAM)), the following guidelines must be followed: • Each stream must write the examination in a separate venue. • Each venue must be equipped with suitable sound equipment. • Each venue must have its own CD with music extracts. • An invigilator must be present in each venue. 6. The tracks have to be played as follows: • WAM candidates: Tracks 1–18 and Tracks 30–34 • JAZZ candidates: Tracks 1–10, Tracks 19–23 and Tracks 30–34 • IAM candidates: Tracks 1–10 and Tracks 24–34 7. A battery-powered CD player must be available in case of a power failure. Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 4 DBE/2018 SCE – Marking Guidelines SUMMARY OF MARKS SECTION A: AURAL TOTAL QUESTION 1 (COMPULSORY) 4 QUESTION 2 (COMPULSORY) 6 SUBTOTAL 10 SECTION B: RECOGNITION TOTAL QUESTION 3 (COMPULSORY) 4 QUESTION 4 (WAM) OR 8 QUESTION 5 (JAZZ) OR 8 QUESTION 6 (IAM) 8 SUBTOTAL 12 SECTION C: FORM TOTAL QUESTION 7 (COMPULSORY) 8 SUBTOTAL 8 GRAND TOTAL 30 Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 5 DBE/2018 SCE – Marking Guidelines Note to the marker: Candidates must be credited for any correct answers not given in the memorandum. SECTION A: AURAL QUESTION 1 Play Track 1 THREE times in succession. 1.1 Which ONE of extract (a), (b) or (c) below best represents the solo voice part? Make a cross (X) in the appropriate block. Answer: (a) (b) X (c) Correct answer = 1 mark (1) Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 6 DBE/2018 SCE – Marking Guidelines Play Track 2 TWICE in succession. 1.2 Listen to the melodic and rhythmic phrase. Notate the rhythm of the missing notes in bars 2–3 below. Play Track 2 TWICE again. Answer: ½ ½ ½ ½ ½ ½ ½ mark per note as indicated = 3 marks (3) [4] Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 7 DBE/2018 SCE – Marking Guidelines QUESTION 2 Play Track 3 ONCE to provide a general overview. Listen to the extract below. Answer the questions that follow. Answer score: Play Track 4 TWICE. 2.1 Describe the role of the guitar in this extract. Answer: • Chordal accompaniment • Harmonic support to melody • Chordal homophonic texture supporting melody Any correct answer = 1 mark (1) Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 8 DBE/2018 SCE – Marking Guidelines 2.2 The notation of bars 3 and 4 has been omitted at X on the score. Fill in the missing pitches and note values that correspond with the music that you hear. Answer: See score Correct pitch and note value = 1 mark each No mark for correct pitch or note value only (3) Play Track 5 TWICE. 2.3 Name the compositional technique used at Y. (The track starts in bar 5.) Answer: • Sequence • Rhythmic repetition Any correct answer = 1 mark (1) Play Track 6 TWICE. 2.4 Name the interval formed between the given note and the missing note at Z. (The track starts with an upbeat to bar 21.) Answer: Perfect 4th (See score) Correct answer = 1 mark (1) [6] TOTAL SECTION A: 10 Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 9 DBE/2018 SCE – Marking Guidelines SECTION B: RECOGNITION OF MUSIC CONCEPTS QUESTION 3: GENERAL LISTENING (COMPULSORY) Listen to the following tracks and answer the questions that follow. Note to marker: if a candidate selected more than two items in a question, only the first two must be marked. Play Track 7 TWICE. 3.1 With which items in COLUMN A do you associate the music that you hear in Track 7? Make a cross (X) in TWO appropriate blocks. Answer: COLUMN A Track 7 Marimba Double bass melody X Dorian mode (modal minor) X Major key Piano introduction X Organ introduction First TWO correct answers = 2 marks (2) Play Track 8 TWICE. 3.2 With which items in COLUMN A do you associate the music that you hear in Track 8? Make a cross (X) in TWO appropriate blocks. Answer: COLUMN A Track 8 Brass section X Ragtime Swing X Major key Starts with djembe introduction X Starts with floor tom-tom First TWO correct answers = 2 marks (2) Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 10 DBE/2018 SCE – Marking Guidelines Play Track 9 and Track 10 TWICE each. 3.3 Listen to two versions of Dona Nobis Pacem (Track 9 and Track 10) and answer the questions that follow. 3.3.1 With which items in COLUMN A do you associate the music that you hear in Track 9 and Track 10? Make a cross (X) in TWO appropriate blocks for EACH track. Answer: COLUMN A Track 9 Track 10 Call and response SATB choir X Piano accompaniment X Starts with an introduction X Minor key Children's choir X Starts with a monophonic texture X A cappella X First TWO correct answers per track = 2 x 2 = 4 marks (4) 3.3.2 With which TWO genres do you associate both versions of the work? Make a cross (X) in TWO appropriate blocks. Answer: Choral work Art song Vocal canon Hymn Vocal fugue First TWO correct answers = 2 marks (2) 3.3.3 Indicate whether the statements below are TRUE or FALSE. Make a cross (X) in the appropriate blocks. Answer: TRUE FALSE (a) Both performances begin with an X upbeat. (b) Both performances end with a X perfect cadence. Correct answers = 2 marks (2) (12 ÷ 3) [4] Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 11 DBE/2018 SCE – Marking Guidelines Answer QUESTION 4 (WAM) OR QUESTION 5 (JAZZ) OR QUESTION 6 (IAM). QUESTION 4: WAM 4.1 Listen to the extracts and answer the questions that follow. Play Track 11 TWICE. 4.1.1 From which movement of Beethoven's Symphony No. 6 is this extract taken? Answer: First movement Correct answer = 1 mark (1) Play Track 12 TWICE. 4.1.2 With which items in COLUMN A do you associate the music that you hear in Track 12? Make a cross (X) in THREE appropriate blocks. Answer: COLUMN A Track 12 Triplet figure in accompaniment X Development X Adagio Coda Flute and oboe melodic material X Clarinet and trumpet melodic material Compound triple time Repetition of motif in different keys X First THREE correct answers = 3 marks (3) 4.1.3 Which prominent dynamic feature do you hear in this extract? Answer: • A gradual crescendo • Crescendo poco a poco Any correct answer = 1 mark (1) Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 12 DBE/2018 SCE – Marking Guidelines 4.2 Listen to the extracts and answer the questions that follow. Play Track 13 TWICE. 4.2.1 Complete the table below by giving a description of EACH item in Track 13. Answer: ITEM DESCRIPTION Work Hebrides Overture by Mendelssohn Style period Romantic period Tempo Allegro moderato Dynamics p cresc. f decresc. Correct answers = 4 marks (4) Play Track 14 TWICE. 4.2.2 Which ONE of these Italian terms best describes the mood of the entire extract? Answer: Giocoso Espressivo Con fuoco Smorzando Correct answer = 1 mark (1) 4.3 Listen to the extracts and answer the questions that follow. Play Track 15 ONCE. 4.3.1 Name the TWO characters who sing this duet. Answer: • Pamina • Papageno TWO correct answers = 2 marks (2) Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 13 DBE/2018 SCE – Marking Guidelines Play Track 16 TWICE. 4.3.2 Which type of articulation do you hear in the accompaniment part of this extract? Answer: • Detached chords • Non-legato chords • Staccato Any ONE correct answer = 1 mark (1) Play Track 17 TWICE. 4.3.3 Name the cadence that you hear at the end of this extract. Answer: Imperfect cadence Correct answer = 1 mark (1) 4.3.4 Give a suitable Italian/German term that describes the mood or character of this music. Answer: • Tranquillo • Cantabile • Espressivo • Ruhig Any correct answer = 1 mark (1) Play Track 18 TWICE. 4.3.5 Give the term for the vocal decoration in the soprano part on the single word, 'an'. Answer: Melisma Correct answer = 1 mark (1) (16 ÷ 2) [8] TOTAL SECTION B: 12 OR Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 14 DBE/2018 SCE – Marking Guidelines QUESTION 5: JAZZ 5.1 Listen to the extracts and answer the questions that follow. Play Track 19 TWICE. 5.1.1 With which items in COLUMN A do you associate the music that you hear in Track 19? Make a cross (X) in THREE appropriate blocks. Answer: COLUMN A Track 19 Bass and drum introduction X Pentatonic scale Piano and voice in unison X Boogie-woogie Syncopation X Kwêla Melodic ostinato X Skiffle beat Ghoema beat X First THREE correct answers = 3 marks (3) Play Track 20 ONCE. 5.1.2 Which instrument(s) play(s) the melody? Answer: • Saxophone(s) Correct answer = 1 mark (1) 5.1.3 Name TWO features of this melody. Answer: • Stepwise/scale movement in the first section • Improvisation in the second section • Use of ornamentation Any TWO correct answers = 2 marks (2) Play Track 21 TWICE. 5.1.4 Give ONE or TWO word(s) to describe the style of the piano part. Answer: • Percussive playing • Chordal romp • Aggressive Any correct answer = 1 mark (1) Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 15 DBE/2018 SCE – Marking Guidelines 5.2 Listen to the extracts and answer the questions that follow. Play Track 22 TWICE. 5.2.1 Name TWO South African artists/bands with which you associate this extract. Answer: • Sipho Gumede • Spirits Rejoice • Sakhile Any TWO correct answers = 2 marks (2) 5.2.2 Briefly describe the role of the instruments below in this extract. Answer: INSTRUMENT DESCRIPTION Provides rhythmic drive Drum kit Steady beat Short improvised riffs Bass guitar Ostinato/Repetition Melodic improvisation Saxophone Repeated melodic motif THREE correct answers = 3 marks (3) 5.3 Listen to the extract and answer the questions that follow. Play Track 23 TWICE. 5.3.1 Complete the table below by giving a description of EACH item in Track 23. Answer: ITEM DESCRIPTION Tonality Major/Mostly I – IV – V - I Mood Relaxed, laid-back, moderately lively Style Kwela Correct answers = 3 marks (3) 5.3.2 This melody is played as a call and response. Name the instrument playing the call. Answer: • Saxophone Correct answer = 1 mark (1) (16 ÷ 2) [8] TOTAL SECTION B: 12 OR Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 16 DBE/2018 SCE – Marking Guidelines QUESTION 6: IAM 6.1 Listen to the extract and answer the questions that follow. Play Track 24 ONCE. 6.1.1 Identify the style of music in this extract. Answer: Maskandi Correct answer = 1 mark (1) 6.1.2 Give TWO reasons for your answer to QUESTION 6.1.1. Answer: • Introductory isihlabo • Isihlabo played by concertina • Guitar played in a picked style (ukupika) • Call and response between the leader and the backing singers • Izibongo (praise poetry) Any TWO correct answers = 2 marks (2) 6.1.3 Name TWO artists which you associate with this extract. Answer: • Phuzekhemisi • Shwi Nomtekhala • Hash 'elimhlophe Any TWO correct answers = 2 marks (2) 6.2 Listen to the extracts and answer the question that follows. Play Track 25 and Track 26 in succession. With which items in COLUMN A do you associate the music that you hear in Track 25 and Track 26? Make a cross (X) in TWO appropriate blocks for EACH track. Answer: COLUMN A Track 25 Track 26 Aerophones X X Monophonic texture Syncopation X X Guitar introduction Descending melodic motive X X Ukuvamba Dipoko (Praise poetry) X First TWO correct answers per track = 2 x 2 = 4 marks (4) Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 17 DBE/2018 SCE – Marking Guidelines 6.3 Listen to the extracts and follow the instructions that follow. Play Track 27 ONCE. 6.3.1 Describe TWO features of the rhythmic material used in this extract. Answer: • Repetition of rhythmic patterns • Moderately fast rhythmic material used • Extensive use of syncopation • Use of typical drum rudiments (flam, drag, etc.) • Compound time signature Any TWO correct answers = 2 marks (2) Play Track 28 ONCE. 6.3.2 Identify the vocal technique that you hear in this extract. Answer: Crepitation/Shouting/Pitch bending Any correct answer = 1 mark (1) 6.3.3 Explain the purpose of the vocal technique used in this extract. Answer: • To increase excitement • To show enjoyment of the performance Any correct answer =1 mark (1) 6.4 Listen to the extracts and follow the instructions that follow. Play Track 29 ONCE. 6.4.1 Identify the style of music in this extract. Answer: • Isicathamiya Correct answer = 1 mark (1) Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 18 DBE/2018 SCE – Marking Guidelines 6.4.2 Give TWO reasons for your answer to QUESTION 6.4.1. Answer: • Male choir/ensemble (TTBB) • Repetitive cyclic harmonic progressions • Call and response/overlapping voices • Use of crepitation Any TWO correct answers = 2 marks (2) (16 ÷ 2) [8] TOTAL SECTION B: 12 Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 19 DBE/2018 SCE – Marking Guidelines SECTION C: FORM QUESTION 7 Read and study the questions for ONE minute. Play Track 30 ONCE to provide a general overview. Listen to the piece below while you study the score. Fast tempo with energy Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 20 DBE/2018 SCE – Marking Guidelines Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 21 DBE/2018 SCE Play Track 30 again. 7.1 What is the overall form of this piece? Answer: • Ternary form • ABA • Intro AABBA Any correct answer = 1 mark (1) 7.2 Motivate your answer to QUESTION 7.1 by giving a schematic layout of the form. Use the table below. Answer: SECTION BAR NUMBERS MARKS A - ½ (including Introduction) 1–47 ½ = 1 mark B-½ 48–63 ½ = 1 mark A½ 64–80 ½ = 1 mark OR SECTION BAR NUMBERS MARKS Introduction 1–151 AA - ½ 152–47 ½ = 1 mark BB ½ 472–64 ½ = 1 mark A½ 64–80 ½ = 1 mark ½ mark for each correct section (3 sections) = 1½ marks ½ mark for each correct set of bar numbers (3 sets of bar numbers) = 1½ marks (3) 7.3 Name the key of this piece. Answer: G major Correct answer = 1 mark (1) Copyright reserved Please turn over

Downloaded from hlayiso.com Music/P2 22 DBE/2018 SCE Play Track 31 TWICE. 7.4 Does the work start with a homophonic or polyphonic texture? Answer: Homophonic Correct answer = 1 mark (1) Play Track 32 ONCE. 7.5 Choose the term which best describes the vocal technique in this piece. Make a cross (X) in the appropriate block. Answer: Yodelling Crepitation Ululation Melisma Correct answer = 1 mark (1) Play Track 33 TWICE. 7.6 Name the cadence at the end of the piece in bars 78–80 at X. (The track starts with the upbeat to bar 78.) Answer: • Plagal cadence Correct answer = 1 mark (1) Play Track 34 ONCE for a final overview. TOTAL SECTION C: 8 GRAND TOTAL: 30 Copyright reserved