Music Grade 11 Paper 2 Eastern Cape November 2017 Memo

Downloaded from hlayiso.com NATIONAL SENIOR CERTIFICATE GRADE 11 NOVEMBER 2017 MUSIC P2 MARKING GUIDELINE MARKS: 30 This marking guideline consists of 13 pages.

Downloaded from hlayiso.com 2 MUSIC P2 (EC/NOVEMBER 2017) SECTION A: AURAL QUESTION 1 (COMPULSORY) Play Track 1 FOUR times. Wait for ONE minute between each repetition. Listen to the extract and fill in the missing note values at bars 2−33 on the score. Answer:         1 mark per correct note value (8 ÷ 4) [2] Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/NOVEMBER 2017) MUSIC P2 3 QUESTION 2 (COMPULSORY) Read and study the questions for ONE minute. Play Track 2 ONCE to provide a general overview. 2.2 2.3 2.4 2.1 Name the main key of this extract. Answer: G minor (1) Play Track 3 ONCE. 2.2 Listen to bars 5−9 and identify the compositional technique used in bars 7−9 at 2.2. Answer: Sequence (1) Play Track 4 ONCE. 2.3 Listen to bars 5−10 and name the cadence at 2.3. Answer: Imperfect cadence (1) Copyright reserved Please turn over

Downloaded from hlayiso.com 4 MUSIC P2 (EC/NOVEMBER 2017) Play Track 5 FOUR times. Wait ONE minute between each repetition. 2.4 Listen to bars 11–18 and fill in the missing notes in bar 15 at 2.4 on the score. Answer:     6 notes x ½ mark each (both pitch and rhythm should be correct) (3) 2.5 Name the instrument playing the solo part of this extract. Answer: Viola (1) Play Track 6 ONCE. 2.6 Circle ONE passing note that appears in bars 1–6. Answer: see score (any ONE passing note) (1) [8] TOTAL SECTION A: 10 Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/NOVEMBER 2017) MUSIC P2 5 SECTION B: RECOGNITION OF MUSIC CONCEPTS QUESTION 3: GENERAL LISTENING (COMPULSORY) Mark THREE items in COLUMN A in QUESTIONS 3.1–3.4 that relate to the music that you hear. Make a cross (X) in THREE appropriate blocks. 3.1 Play Track 7 TWICE. COLUMN A Track 7 Membranophone, aerophone and idiophone Contrapuntal X Minor tonality Chordophone, idiophone and X aerophone Serialism Major tonality X (3) 3.2 Play Track 8 TWICE. COLUMN A Track 8 Mezzo soprano voice X Opera Lilting rhythms X Alto voice Allegro to moderato X Constant tempo (3) 3.3 Play Track 9 TWICE. COLUMN A Track 9 Malombo Accordion Compound duple time Concertina X Simple quadruple time X Maskandi X (3) 3.4 Play Track 10 TWICE. COLUMN A Track 10 SATB X Polyphonic texture Homophonic texture X Lively and energetic X SSA Slowly and gently (3) (12 ÷ 3) [4] Copyright reserved Please turn over

Downloaded from hlayiso.com 6 MUSIC P2 (EC/NOVEMBER 2017) Answer QUESTION 4 (WAM) OR QUESTION 5 (JAZZ) OR QUESTION 6 (IAM). QUESTION 4: WAM 4.1 Play Track 11 TWICE. 4.1.1 Which ONE of the following terms best describes the tempo and character of this extract? Make a cross (X) in the relevant block. Allegro molto Allegretto con spirito Allegro molto vivace appassionato (1) 4.1.2 Which genre and style period does this extract belong to? Genre: Concerto (Violin concerto) (1 mark) Style period: Romantic period (1 mark) (2) Play Track 11 ONCE again. 4.1.3 Describe the instrumentation and texture of this extract. Answer: Solo violin with orchestral accompaniment (1 mark) Homophonic texture (1 mark) (2) Play Track 12 TWICE. 4.1.4 Give ONE term that best describes this virtuosic section. Answer: Cadenza (1) 4.1.5 Where in this movement of the work is this section performed? Answer: At the end of the development OR Before the recapitulation (1) 4.2 Play Tracks 13 and 14 TWICE in succession. 4.2.1 Name the theme and instrumentation for each of the TWO tracks. TRACK 13 TRACK 14 Conflict theme – sword fight between Theme: Tender Love theme the Capulets and Montague. English horn with Instrumentation: Full orchestra (Tutti) violas Themes: 1 mark each (2) Instrumentation: 1 mark each (2) (4) Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/NOVEMBER 2017) MUSIC P2 7 4.2.2 Which famous Shakespearian love story inspired this work? Answer: Romeo and Juliet (1) 4.3 Play Track 15 TWICE. 4.3.1 Which 20th century style does this extract belong to? Answer: Impressionism (1) 4.3.2 Provide this extract with a suitable title. Answer: Voiles OR Sails (1) 4.3.3 Which non-diatonic scale is used to describe the title best? Answer: Whole-tone scale (1) 4.3.4 Describe the use of dynamics in this extract. Answer: Subdued/soft dynamics (1) (16 ÷ 2) [8] OR Copyright reserved Please turn over

Downloaded from hlayiso.com 8 MUSIC P2 (EC/NOVEMBER 2017) QUESTION 5: JAZZ 5.1 Play Track 16 TWICE. 5.1.1 Name the aerophone instrument playing the solo part of this extract. Answer: Saxophone OR Baritone saxophone (1) 5.1.2 Identify the jazz style and artist associated with this extract. Jazz style: Cool Jazz Artist: Gerry Mulligan (2) Play Track 16 ONCE again. 5.1.3 Give TWO rhythmic features of the electric guitar. Answer: Syncopated rhythms OR off-beat rhythmical chords OR making use of wah-wah rhythmical effects (Any 2) (2) 5.2 Play Track 17 TWICE. 5.2.1 Which ONE of the following intervals features predominantly in this extract? Make a cross (X) in the relevant block. Diminished fifth Major second Perfect octave (1) 5.2.2 Name the artist performing the solo in this extract. Answer: Dizzy Gillespie (1) 5.2.3 Which instrument was the artist, mentioned in QUESTION 5.2.2 above, famous for? Answer: Trumpet (1) 5.2.4 What is the function of the lyrics ‘Salt Peanuts’ featuring in this extract? Answer: Imitates the octave interval that features persistently throughout the song OR The lyrics function as a scat vocal technique to match the octave melody. (1) Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/NOVEMBER 2017) MUSIC P2 9 Play Track 17 ONCE again. 5.2.5 Why would you say that the melody featured in this extract is typical of Bebop music? Answer: Very fast melody with accents on the off-beat. (1) 5.3 Play Track 18 ONCE. 5.3.1 Provide this extract with a suitable title. Answer: Watermelon Man (1) 5.3.2 Which unconventional structural form is used in this work? Make a cross (X) in the relevant block. 16-bar Blues Rondo form ABA (1) Play Track 18 TWICE again. 5.3.3 Give ONE term that best describes the repeated piano accompaniment figures. Answer: Riff (1) 5.3.4 Name the jazz style associated with this extract. Answer: Fusion (1) 5.3.5 Provide a reason for your answer in QUESTION 5.3.4 above. Answer: Includes elements from soul, jazz, Bebop, R&B and Gospel music. (Any 2 styles) (2) (16 ÷ 2) [8] OR Copyright reserved Please turn over

Downloaded from hlayiso.com 10 MUSIC P2 (EC/NOVEMBER 2017) QUESTION 6: IAM 6.1 Play Tracks 19 and 20 TWICE in succession. Compare Track 19 with Track 20 and complete the table below. TRACK 19 TRACK 20 Native language: Xhosa Zulu Accompanying Umrhube Ughubu instrument: Resonator: Mouth Calabash (6) 6.2 Play Tracks 19 and 20 ONCE again. Give an alternative name for the artist performing in each track. Artist Track 19: Queen of amaMpondo/The Veteran/Mama Madosini Artist Track 20: Princess Magogo (2) 6.3 Play Track 21 TWICE. 6.3.1 Classify TWO groups of instruments according to sound production used in this extract. Group 1: Idiophone Group 2: Membranophone (2) 6.3.2 Comment on the use of rhythms featuring in this extract. Answer: Polyrhythms Syncopations Shaker keeps the beat Cross rhythms (Any 2) (2) Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/NOVEMBER 2017) MUSIC P2 11 6.4 Play Track 22 TWICE. 6.4.1 Name the type of poetry used in this extract. Answer: Song-poem (1) 6.4.2 Identify the artist performing this work. Answer: Johannes Mokgoadi (1) 6.4.3 With which South African tribe do you associate this work? Answer: Bapedi (1) Play Track 22 ONCE again. 6.4.4 Name the idiophone instrument featuring in this extract. Answer: Dipela (Type of mbira) (1) (16 ÷ 2) [8] TOTAL SECTION B: 12 Copyright reserved Please turn over

Downloaded from hlayiso.com 12 MUSIC P2 (EC/NOVEMBER 2017) SECTION C: FORM QUESTION 7 (COMPULSORY) Read and study the questions for ONE minute. Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/NOVEMBER 2017) MUSIC P2 13 Play Track 23 ONCE to provide an overview. Play Track 23 ONCE again. 7.1 Name the relative key of this piece. Answer: E minor (1) 7.2 What is the form of this piece? Answer: Ternary form/ABA (1) 7.3 Give a schematic analysis of the form of this piece by completing the table below. SECTIONS BAR NUMBERS A OR A1 1-8 B 9-14 A OR A2 15-22 (9 ÷ 3) (3) 7.4 In which bar is there a fermata symbol? Answer: Bar 14 (1) 7.5 Name the key and cadence used in bars 21−22. Answer: G major (1 mark) Perfect cadence (1 mark) (2) Play Track 23 ONE last time. TOTAL SECTION C: 8 GRAND TOTAL: 30 Copyright reserved Please turn over