MUSIC P2 MEMO GR12 SEPT 2015 ENG_hlayiso.com_.pdf

Downloaded from hlayiso.com NATIONAL SENIOR CERTIFICATE GRADE 12 SEPTEMBER 2015 MUSIC P2 MEMORANDUM MARKS: 30 This memorandum consists of 14 pages.

Downloaded from hlayiso.com 2 MUSIC P2 (EC/SEPTEMBER 2015) SECTION A: AURAL QUESTION 1 (COMPULSORY) TRACK 1 (to be played FOUR times). Wait for ONE minute between each repetition. 1.1 Listen to the rhythmic pattern and fill in the missing note values at bar 2 and 3 on the music score. Answer: 1 mark for each tick (√) = 10 ÷ 5 = 2 (2) Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2015) MUSIC P2 3 QUESTION 2 (COMPULSORY) TRACK 2 (to be played ONCE to give a general overview) 2.1 Play Track 2 ONCE. Fill in the correct time signature on the score. Answer: See score (1) 2.2 Play Track 2 FOUR TIMES. Pause ONE minute between each repetition. Fill in the missing notation at (a) in bars 8 and 9. Answer: See music score 1 mark per tick (√) 6 ÷ 2 = 3 marks (Both rhythm and pitch must be correct) (3) Copyright reserved Please turn over

Downloaded from hlayiso.com 4 MUSIC P2 (EC/SEPTEMBER 2015) 2.3 Play Track 2 ONCE. Identify the intervals according to distance and type at (b) in bar 1 and (c) in bar 14. Answer: (b): minor 3rd (c): minor 6th (2) 2.4 Play Track 2 ONCE. Name the key, chord and inversion/position that you hear at (d) and (e), e.g. F: I6 or F/A. Answer: (d): Am: V53 or Am: E (e): Am: iv53 or Am: d (2) [8] Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2015) MUSIC P2 5 Answer: TOTAL SECTION A: 10 Copyright reserved Please turn over

Downloaded from hlayiso.com 6 MUSIC P2 (EC/SEPTEMBER 2015) SECTION B: RECOGNITION OF MUSIC CONCEPTS QUESTION 3: GENERAL LISTENING (COMPULSORY) Identify features of this music by choosing the correct terms. Make a cross (X) in the correct boxes. 3.1 Track 3 (to be played TWICE) Idiophones X Monophonic Texture Irregular Rhythms X Membranophones Polyphonic Texture X Regular Rhythms (3) 3.2 Track 4 (to be played TWICE) Melody played by high strings X Moderato Strings and woodwinds Andante X Melody played by low strings Strings only X (3) 3.3 Track 5 (to be played TWICE) Polyphony Presto X Romantic Period X Moderato Homophony X Baroque Period (3) 3.4 Track 6 (to be played TWICE) Synthesizer enhances sound X African Popular Music X Marimba and Drum Introduction X Strings enhances sound Afro Jazz Keyboard and Drum introduction (3) (12 ÷ 3) [4] Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2015) MUSIC P2 7 ANSWER QUESTION 4 OR QUESTION 5 OR QUESTION 6. QUESTION 4: WESTERN ART MUSIC (WAM) 4.1 Track 7 (to be played ONCE) 4.1.1 Identify the composer and work. Answer: Mendelssohn, Hebrides Overture (Fingal’s Cave) (2) 4.1.2 What genre is this music an example of? Answer: Symphonic Poem (Concert Overture may also be accepted as an answer.) (1) Track 7 (to be played ONCE) 4.1.3 What compositional technique features prominently in this music? Answer: Repetition (1) Track 7 (to be played TWICE) 4.1.4 Describe this work with regard to key, tempo and instrumentation. Answer: Key: Minor key (1 mark) Tempo: Allegro moderato (or any other suitable term) (1 mark) Instrumentation: Bassoon, viola and cello playing the main melodic material above the rest of the orchestra. (2 marks) (4) 4.2 Track 8 (to be played ONCE) 4.2.1 Identify the composer and work. Answer: Mozart, The Magic Flute (2) 4.2.2 With which style period and genre would you associate this extract? Answer: Classical, Opera (2) Copyright reserved Please turn over

Downloaded from hlayiso.com 8 MUSIC P2 (EC/SEPTEMBER 2015) 4.3 Track 9 (to be played TWICE) Identify the terms that you would associate with this extract. Make a cross (X) in the appropriate blocks. Allegro X Alto Der Holle Rache X Papagena Queen of the Night X Die Strahlen Der Sonne Coloratura Soprano X Andante (4) (16 ÷ 2) [8] OR QUESTION 5: JAZZ 5.1 Track 10 (to be played ONCE) 5.1.1 Identify this work. Answer: Lakutshon’ilanga (1) 5.1.2 Identify the artist/singer that can be heard in this extract. Answer: Miriam Makeba (1) Track 10 (to be played TWICE) 5.1.3 Describe this music with regard to style, voice, rhythm and instrumentation. Style: Jazz (1 mark) Voice: Female/mezzo soprano (1 mark) Rhythm: Steady 4/4 time (1 mark) Instrumentation: Acoustic guitar with jazz band (1 mark) (Any other suitable answer will be accepted.) (4) Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2015) MUSIC P2 9 5.2 Track 11 (to be played ONCE) 5.2.1 Identify the artist and work. Answer: Dolly Rathebe, Meadowlands (2) Track 11 (to be played TWICE) 5.2.2 Describe the bass-line of this music. Answer: Made up of a 4-bar pattern that is repeated throughout. (2) 5.2.3 Identify TWO instruments that make up the rhythm section that plays this music. Answer: Piano, drums, double bass. (Any TWO) (2) 5.3 Track 12 (to be played TWICE) Identify the terms that you would associate with this extract. Make a cross (X) in the appropriate blocks. Saxophone melody X Hugh Masekela Piano lead X Trumpet melody Abdullah Ibrahim X Organ lead Cape Jazz X Afro Jazz (4) (16 ÷ 2) [8] OR Copyright reserved Please turn over

Downloaded from hlayiso.com 10 MUSIC P2 (EC/SEPTEMBER 2015) QUESTION 6: INDIGENOUS AFRICAN MUSIC (IAM) 6.1 Track 13 (to be played ONCE) 6.1.1 Identify the group and title of this song. Answer: Ladysmith Black Mambazo, Homeless (2) Track 13 (to be played TWICE) 6.1.2 Identify THREE characteristics of this music. (3) Answer: A cappella singing, All male group, Harmonious blend of voices. 6.1.3 Identify the style of this music. Answer: Isicathamiya (1) 6.1.4 From which singing style did this type of music originate? Make a cross (X) in the appropriate block. Kwela Mbube X Marabi (1) 6.2 Track 14 (to be played ONCE) 6.2.1 Identify the style of this music. Answer: Maskandi (1) Track 14 (to be played TWICE) 6.2.2 Give THREE reasons for your answer in QUESTION 6.2.1. (3) Answer:  Instrumental flourish (“izihlabo”) sets the tone at the beginning of the song  Prominent instrument is the guitar  Rapidly spoken sections of Zulu praise poetry, called “izibongo”.  Other influences such as pop is also evident (Any THREE) 6.2.3 With which artist would you associate this style? Answer: iHashi elimhlophe (1) Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2015) MUSIC P2 11 6.3 Track 15 (to be played TWICE) Identify the terms that you would associate with this extract. Make a cross (X) in the appropriate blocks. Main instrument is guitar X Verse and Chorus Marabi Female backing vocals X A cappella singing Cyclic Structure X Mbaqanga X (4) (16 ÷ 2) [8] TOTAL SECTION B: 12 Copyright reserved Please turn over

Downloaded from hlayiso.com 12 MUSIC P2 (EC/SEPTEMBER 2015) SECTION C: FORM QUESTION 7 (COMPULSORY) Read and study the questions for ONE minute. Play Track 16 ONCE to provide an overview. Copyright reserved Please turn over

Downloaded from hlayiso.com (EC/SEPTEMBER 2015) MUSIC P2 13 Copyright reserved Please turn over

Downloaded from hlayiso.com 14 MUSIC P2 (EC/SEPTEMBER 2015) 7.1 Play Track 16 ONCE again. Give an analysis of the form of this song by completing the table below. Indicate the main sections (for example A, B, etc.), bar numbers and keys. SECTION BAR NUMBERS KEYS A√ 1–8 √ E minor √ A√ 9–16 √ E minor √ B√ 17–24 √ G major √ A√ 25–32 √ E minor √ (12 ÷ 3) (4) 7.2 Name the form of this piece, for example Binary. Answer: AABA or 32-bar form (1) Play Track 16 ONCE again. 7.3 What compositional technique is used at (A), bars 6–8? Answer: Sequence (1) 7.4 Name the key and cadence at (B), bars 15–16. Answer: G major, √ Perfect cadence √ 1 mark for each tick (√) = 2 ÷ 2= (1) 7.5 Play Track 16 ONCE again. Identify what type of rhythm is used by the vocalist as well as the band in this song. Answer: Swing/Jazz (1) TOTAL SECTION C: 8 GRAND TOTAL: 30 Copyright reserved Please turn over